A work in constant progress (and occasional regress).
Release Date:
November 24, 2017
Original Title:
Singularity
Alternate Titles:
Attack of the Robots
Aurora
Cyber Choc
Kronos - Le soulèvement des robots
Singularidade
Сингулярност
奇点
奇點
Genres:
Science Fiction
Production Companies:
Calanda Pictures
Vantis Pictures
Voltage Pictures
Production Countries:
Switzerland | United States of America
Ratings / Certifications:
AU: M BR: 14 CH: 12 DE: 12 GB: 12 IT: T JP: G PT: M/12 US: PG-13
Runtime: 92
When Elias van Dorne, CEO of the world's largest robotics company, introduces his most powerful invention, Kronos-a super-computer designed to end all wars-it determines that humans are the biggest threat and launches a worldwide attack on mankind. A small band of survivors must form an unlikely alliance to survive the greatest artificial intelligence threat man will ever know.
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Assistant Editor:
Riley C. Morris
Associate Producer:
Jeffrey J. Ellen
Colorist:
Andrew Balis
Dialogue Editor:
Kristen Hirlinger
Director:
Robert Kouba
Director of Photography:
Jesse Brunt
Sebastian Cepeda
Editor:
Kyle Tekiela
Robert Kouba
First Assistant Camera:
Stephen Branagan
Lighting Technician:
Luigi Adinolfi
Music Supervisor:
Michael Wickstrom
Original Music Composer:
Scott Kirkland
Tobias Enhus
Producer:
Sebastian Cepeda
Robert Kouba
Production Design:
Timothy Stuart Hildebrandt
Set Dresser:
Brad Hernandez
Sound Editor:
Kendall Credi
Story:
Sebastian Cepeda
Robert Kouba
Visual Effects:
Marcos Parmentier
Brendon Murphy
Craig Stiff
Writer:
Robert Kouba
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.