A work in constant progress (and occasional regress).
Release Date:
October 10, 2019
Original Title:
Intrigo: Dear Agnes
Genres:
Crime | Drama | Mystery
Production Companies:
Enderby Entertainment
The Amazing Film Company
Production Countries:
Germany | Sweden | United States of America
Ratings / Certifications:
DE: 12 FR: 10|12
Runtime: 100
What is a human life worth? How is it possible that a woman like Agnes could agree to kill another human being? Is it the money? Or are there other forces at play?
Art Direction:
Maja Moravec
Associate Producer:
Patrick Tendai Pfupajena
Costume Design:
Momirka Bailović
Director:
Daniel Alfredson
Director of Photography:
Paweł Edelman
Editor:
Håkan Karlsson
Executive Producer:
Daniel Petrie Jr.
Adrian Politowski
Lauren Mekhael
Cloé Garbay
Ivan Orlic
Claudia Bluemhuber
Bastien Sirodot
Peter Bevan
Nadia Khamlichi
Makeup Artist:
Tijana Saletovic
Aurélie Elich
Jill Wertz
Novel:
Håkan Nesser
Original Music Composer:
Klas Wahl
Anders Niska
Producer:
Uwe Schott
Alex Boden
Rick Dugdale
Thomas Peter Friedl
Production Design:
Miljen 'Kreka' Kljaković
Set Decoration:
Jasna Dragović
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.