A work in constant progress (and occasional regress).
Featuring:
Casey Biggs, Enrique Sandino, Merrill Connally
Directed by:
Kieth Merrill
Release Date:
March 6, 1988
Original Title:
Alamo: The Price of Freedom
Genres:
Drama | History | Thriller | War | Western
Production Companies:
MacGillivray Freeman Films
Production Countries:
United States of America
Ratings / Certifications:
US: NR
Runtime: 37
In 1836, a small band of soldiers sacrifice their lives in hopeless combat against a massive army in order to prevent a tyrant from smashing the new Republic of Texas.
The whole reason the IMAX was built in Rivercenter Mall in San Antonio was to play this movie. It plays every day and is a tear jerker. It covers the fall of the Alamo and is a very poinent portrayal of the men who gave their lives for Texas Independence. After you see it, you can walk over to the Alamo and see where everything took place.
Animal Wrangler:
Billy L. 'Butch' Frank
Art Direction:
Roger Ragland
Assistant Camera:
Brian Sullivan
James Neihouse
Associate Producer:
Ray Herbeck Jr.
Best Boy Grip:
Steve Graves
Boom Operator:
Stephen Balliet
Camera Operator:
T.C. Christensen
Costume Assistant:
Stanley Moore
Costume Design:
Michael T. Boyd
Director:
Kieth Merrill
Director of Photography:
Reed Smoot
First Assistant Director:
Sjon Ueckert
Location Sound Recordist:
Greg Smith
Makeup Designer:
Greg T. Moon
Production Design:
Roger Ragland
Production Manager:
Scott Swofford
Property Master:
Kelly Farrah
Recording Supervision:
Gary Summers
Special Effects Assistant:
Steve Lillard
Stunt Coordinator:
Dale Gibson
Bret Culpepper
Stunts:
Bill Chemerka
Technical Advisor:
Alan C. Huffines
Kevin R. Young
Unit Publicist:
Stanley Brossette
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.