A work in constant progress (and occasional regress).
Release Date:
October 14, 2017
Original Title:
Zukunft aus dem Drucker: Wie 3D-Druck unsere Welt verändert
Alternate Titles:
3D - Printing the future
3D – Εκτυπώνοντας το μέλλον
Imprimante 3D, le futur est en marche?
Genres:
Documentary | TV Movie
Production Companies:
ARTE
Sagamedia
ZDF
Production Countries:
Germany
Ratings / Certifications:
DE: 6 FR: U
Runtime: 52
3-D printing is raising immense hopes in many fields, whether in the aeronautical, space or medical industry. Nicolas, amputated of his right hand, goes to the Fab Lab in Berlin to print at reasonible cost, the prosthesis with 5 articulated fingers he needs.
Camera Operator:
Marvin Mohr
Rick Dockhorn
Ulf Behrens
Jan Tegethoff
Felix Greif
Peter Wiese
Director:
Martin Gronemeyer
Michaela Kirst
Editor:
Eitan Dorfman
Producer:
Iris Bettray
Jutta Pinzler
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Additional data for Film Titles come from The Open Movie Database (OMDb).
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.