A work in constant progress (and occasional regress).
Release Date:
September 2, 2017
Original Title:
Shockwave: Countdown to Disaster
Alternate Titles:
2020
Hell Storm: Countdown to Disaster
Les codes de l'apocalypse
Shockwave – Countdown zum Desaster
Shockwave: Arma letal
Ударная волна
冲击波
Genres:
Action | Adventure | Science Fiction | Thriller
Production Countries:
United States of America
Ratings / Certifications:
GB: 15 US: NR
Runtime: 90
A stolen seismic weapon is activated in Yemen. A hostage freed there tries in vain to warn against its global effect. It starts seismic activity at the Californian fault line where her daughter and ex are monitoring it. Can they stop it?
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Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.
Additional Editor:
Don Money
Art Direction:
Arnie Rabano
Marcus Gray
Best Boy Electric:
Eric Fickenwirth
Best Boy Grip:
Brien Chatfield
Camera Operator:
Goran Neric
Casting:
Jeremy Gordon
Costume Design:
Anninka Velie
Director:
Nick Lyon
Director of Photography:
Pedja Radenkovic
Editor:
Rob Pallatina
Electrician:
Diego Castellanos
First Assistant Camera:
Jeff Vanderpool
Bryan Cheney
Gaffer:
Anthony Vogt
Grip:
James Sowka
Key Grip:
Mikey Davis
Original Music Composer:
Chris Ridenhour
Producer:
Jason Cabell
Autumn Federici
Production Design:
Robert Hummel
Megan Burns
Script Supervisor:
Kennedy Del Toro
Second Assistant Camera:
Sed Lanas
Special Effects:
Jennifer Charowsky
Visual Effects Coordinator:
Janna Daniel
Visual Effects Producer:
Justin Hynous
Jami Solomon
Visual Effects Supervisor:
Dustin Solomon
Writer:
Blaine Chiappetta
Ari Novak
Writers' Assistant:
Rafael Jordan
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.