A work in constant progress (and occasional regress).
Release Date:
September 20, 1963
Original Title:
Až přijde kocour
Alternate Titles:
A História que Nunca Aconteceu
Amikor jön a macska
Când vine pisica
En dag kom en kat
En dag kom en katt
En dag som katt
Kad dođe mačak
Kun kissa tulee
La historia que nunca ocurrió
That Cat
The Cassandra Cat
The Cat Who Wore Sunglasses
Toen verscheen de kat
Un día, un gato
Ένας γάτος… μια ημέρα
Μια μέρα ένας γάτος
猫に裁かれる人たち
댓 캣
Genres:
Comedy | Fantasy
Production Companies:
Filmové studio Barrandov
Production Countries:
Czechoslovakia
Ratings / Certifications:
N/A
Runtime: 104
While old Oliva tells a group of children about his life as a sailor and how he met Diana and her cat with sunglasses, a strange circus arrives in town.
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Assistant Camera:
Rudolf Milič
Assistant Director:
Ota Koval
Zdenka Karlovská
Zdenka Pešulová
Eliška Kolaříková
Assistant Editor:
Jana Šimůnková
Assistant Production Design:
Bohumil Nový
Assistant Production Manager:
Pavel Krůta
Camera Operator:
Miroslav Ondříček
Clapper Loader:
Milada Krůtová
Conductor:
František Belfín
Costume Designer:
Vladimír Dvořák
Costumer:
František Zapletal
Božena Nová
Creative Producer:
Ladislav Fikar
Director:
Vojtěch Jasný
Director of Photography:
Jaroslav Kučera
Dramaturgy:
Václav Nývlt
Editor:
Jan Chaloupek
Executive Producer:
Bohumil Šmída
First Assistant Director:
Ivan Passer
Gaffer:
František Brůček
Makeup & Hair:
Gustav Hrdlička
Marie Hrdličková
František Pilný
Original Music Composer:
Svatopluk Havelka
Production Design:
Oldřich Bosák
Production Manager:
Jaroslav Jílovec
Screenplay:
Vojtěch Jasný
Jiří Brdečka
Screenstory:
Vojtěch Jasný
Set Decoration:
Jiří Rulík
Ladislav Krbec
Sound:
Dobroslav Šrámek
Sound Effects:
Bohumír Brunclík
Jaromír Svoboda
Antonín Jedlička
Special Effects:
Jaroslav Kučera
Vladimír Dvořák
Still Photographer:
Karel Ješátko
Unit Production Manager:
Miloš Stejskal
Jaroslav Koucký
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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.