A work in constant progress (and occasional regress).
Release Date:
September 14, 2017
Original Title:
La hora final
Genres:
Drama | Thriller
Production Companies:
La Soga Producciones
Séptimo Sello
Production Countries:
Peru
Ratings / Certifications:
N/A
Runtime: 119
Lima, Peru, 1991. After years of fruitless efforts, a group of police officers finally find a lead on the whereabouts of Abimael Guzmán, the bloodthirsty leader of the communist terrorist gang Shining Path.
Art Direction:
Cecilia Herrera
Associate Producer:
Hernando Miranda
Francisco Illes
Boom Operator:
José Carlos Valencia
Casting Director:
Katia Salazar
Color Grading:
Ismael Cabrera
Costume Designer:
José Guevara
Director:
Eduardo Mendoza de Echave
Director of Photography:
Julián Amaru Estrada
Editor:
Ángela Vera
Danielle Fillios
Executive Producer:
Jorge Caillaux
Eduardo Mendoza de Echave
First Assistant Director:
Paulo Orellana
Focus Puller:
Fernando Zuñiga
Foley Artist:
Kenneth Nava
Gaffer:
Rafael «Gato» Mac Kay
Hairstylist:
Carola Ramírez
Key Grip:
Martín Angulo Ruzicanin
Location Manager:
Georget Gallet
Makeup Artist:
Lyli Nole
Nathaly Ezeta
Original Music Composer:
Jorge «Chino» Sabogal
Producer:
Marco Moscoso
Julián Torres
Production Director:
Jorge Caillaux
Gustavo Sánchez
Property Master:
Walter Toledo
Screenplay:
Eduardo Mendoza de Echave
Script Supervisor:
Patricia Ramírez
Second Assistant Director:
Nury Isasi
Sound Designer:
Edgar Lostanau
Sound Post Supervisor:
Teresa Pita
Sound Recordist:
David Romero
Special Effects:
José Luy
Still Photographer:
Sary Laguna
Visual Effects:
Constanza Ortega
Mauro Contreras Villegas
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.