A work in constant progress (and occasional regress).
Release Date:
September 30, 2017
Original Title:
Harvest Love
Alternate Titles:
Cosecha de amor
Genres:
Comedy | Romance | TV Movie
Ratings / Certifications:
DE: 12
Runtime: 84
A young widow and her nine year-old son spend a week at her family’s pear farm in Washington state, where they both fall in love with small town farm life, and she falls for the guy who has been managing the farm.
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"A" Camera Operator:
David Tenniswood
"B" Camera Operator:
Sean Cox
Catherine Mallette
Assistant Accountant:
Susan Messent
Assistant Costume Designer:
Alpha Lam
Assistant Editor:
Amanda Colquhoun
Nathan Young
Assistant Hairstylist:
Megan Crouse
Assistant Makeup Artist:
Francesca Cervellin
Assistant Production Coordinator:
Laura Obenaus
Clint Deakin
Matt Visser
Assistant Property Master:
Raquel Fors
Assistant Set Decoration:
Ross Langill
Assistant Sound Editor:
Sean Szutka
Best Boy Electric:
Bradley Ishii
Best Boy Grip:
Keith Granger
Boom Operator:
Tony Poulsen
Casting:
Penny Perry
Jackie Lind
Choreographer:
Heather Laura Gray
Colorist:
Jimmy Hsu
Costume Designer:
Kathi Moore
Costume Set Supervisor:
Jaqueline Ryan
Nakita Star
Craft Service:
Laura Mary Clarke
Dialogue Editor:
Roger Morris
Director:
Christie Will Wolf
Director of Photography:
William McKnight
Dolly Grip:
Steve Mieszkalski
Editor:
Daria Ellerman
Executive Producer:
Lincoln Lageson
Extras Casting:
Sara Brown
Extras Casting Assistant:
Rachel Klinosky
First Assistant "A" Camera:
Jenna Fuoco
First Assistant "B" Camera:
Trevor Komori
First Assistant Director:
Arlene L. Arnold
Foley Artist:
Don Harrison
Ian Mackie
Foley Recording Engineer:
Rick Senechal
Gaffer:
Alexander Ma
Key Grip:
Corey Tremblay
Key Hair Stylist:
Martin Armand
Key Makeup Artist:
Trudy Parisien
Location Manager:
Erez T. Yanuv Barzilay
Michael Farias
Music Coordinator:
Francesca Cammarata
Music Supervisor:
Siân O'Byrne
Online Editor:
Cassandra Yaseniuk
Original Music Composer:
Hal Beckett
Payroll Accountant:
Gill Kennedy
Post Production Coordinator:
Nikki Lee
Post Production Supervisor:
Jason Macintyre
Producer:
Harvey Kahn
Production Accountant:
Faiza Lalani
Production Controller:
Marnie Termuende
Production Coordinator:
Yale Kussin
Production Design:
Bob Bottieri
Production Manager:
Catherine Kretz
Production Sound Mixer:
James Schoening
Property Master:
John Morstad
Props:
Melanie Yip
Script Supervisor:
Anita Riley McGee
Second Assistant "A" Camera:
Owen Wong
Second Assistant "B" Camera:
Riley McMaster
Second Assistant Director:
Sarah Rogers
Security Coordinator:
Sean Hanlin
Set Decoration:
La Vonne Girard
Set Dresser:
Jamie Bieberstein
Ginna Scotto
Sound Designer:
Gregorio Gómez
Sound Editor:
Kevin Barron
Sound Re-Recording Mixer:
Joe Watts
Craig George
Special Effects Coordinator:
Darcy Davis
Still Photographer:
Kailey Schwerman
Ryan Plummer
Stunt Coordinator:
Brett Armstrong
Third Assistant Director:
Naomi Polk
Transportation Captain:
Derek Keillor
Transportation Coordinator:
Dean Fitzpatrick
Truck Supervisor:
Nej Wan
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.