Home

A Private War (2018) [R]

Release Date:
November 16, 2018

Original Title:
A Private War

Alternate Titles:
Marie Colvin
Private War
Private War, A
Uma Guerra Particular

Genres:
Drama | War

Production Companies:
Denver & Delilah Productions
Kamala Films
Our Time Projects
Savvy Media Holdings
Thunder Road

Production Countries:
United Kingdom | United States of America

Ratings / Certifications:
AU: MA15+  CA: R  DE: 16  FR: TP  GB: 15  HK: IIB  IE: 15  JP: G  NL: 16  RU: 18+  UA: 16+  US: R 

Runtime: 106

The most powerful weapon is the truth.

Overview from TheMovieDB

One of the most celebrated war correspondents of our time, Marie Colvin is an utterly fearless and rebellious spirit, driven to the frontlines of conflicts across the globe to give voice to the voiceless.

Click the heading above to show or hide the text.

Additional information:

The Search Form


Video

Click each video panel to show or hide.

Trailer

Clip

Featurette

Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.

Performers

Click the heading above to show or hide the list.

Production

Aerial Camera:
Davide Tiraboschi

Armorer:
Rob Partridge
Dave Evans

Art Department Coordinator:
Sasha Doghjouqa

Art Direction:
Kiera Tudway
Nasser Zoubi
Keith Slote

Assistant Art Director:
Michael van Kesteren

Assistant Costume Designer:
Dana Shangerey
Joanne Mosley

Assistant Editor:
Jason Rayton

Camera Operator:
Jana Hojdová
Shaun Cobley
James Markwick

Casting:
Jina Jay

Co-Producer:
Arash Amel

Costume Assistant:
John Usher
Frances Roughton
Sharona Prior
Florence Chow

Costume Design:
Michael O'Connor

Costume Supervisor:
Phaedra Dahdaleh
Anna Kot

Digital Colorist:
Yvan Lucas

Digital Intermediate Colorist:
Matt Watson

Digital Intermediate Producer:
Kim Honeyman

Director:
Matthew Heineman

Director of Photography:
Robert Richardson

Drone Cinematographer:
Steve Quan

Drone Operator:
Ben Platts

Drone Pilot:
Chris Wilkinson

Editor:
Nick Fenton

Electrician:
Bruno Martins

Epk Director:
Alain Galès

Executive Producer:
Nicole Alexandra Shipley
David Dinerstein
Wayne Marc Godfrey
Jeff Rice
Peter Lawson
Jonathan Fuhrman
Jason Resnick
Lee Broda
William Sadleir
Robert Jones
Erica Lee

First Assistant "A" Camera:
Peter Byrne

First Assistant "B" Camera:
David Churchyard

First Assistant "C" Camera:
Ayan Hatoqay

First Assistant Editor:
Giles Burgess

Gaffer:
Mark Taylor
Yazan Najem

Key Grip:
Warwick Drucker

Libra Head Technician:
Sean Rogers

Lighting Technician:
Khaleel Qopti

Line Producer:
Andrew Chapman
Tim Cole

Location Manager:
Ben Frost
Saeb Abul Ragheb

Makeup Designer:
Denise Kum

Marine Coordinator:
Daren Bailey

Music Co-Supervisor:
Laura Katz

Original Music Composer:
H. Scott Salinas

Producer:
Charlize Theron
Matthew George
Basil Iwanyk
Matthew Heineman
Marissa McMahon

Production Consultant:
Fuad Khalil

Production Coordinator:
Sarah Carswell
Andrew Petrilak

Production Design:
Sophie Becher

Production Manager:
Tala Olabi

Production Secretary:
Emma Parsons

Production Sound Mixer:
Gareth John

Property Master:
Anas Balawi

Prosthetic Designer:
Denise Kum

Rigging Gaffer:
Ezz Isleem
Ben Wilson

Screenplay:
Arash Amel

Script Supervisor:
Mariana Hellmund
Holly Johnson

Second Assistant "A" Camera:
Kat Spencer

Second Assistant "B" Camera:
Ben Foat

Set Costumer:
Lucy Brookes

Sound Designer:
Bernard O'Reilly
Paul Davies

Sound Effects Editor:
Morgan Muse

Sound Re-Recording Mixer:
Andrew Stirk

Special Effects Supervisor:
Alexander Gunn

Still Photographer:
Jonathan Prime
Keith Bernstein

Stunt Double:
Elizabeth Donker Curtius
Laura Swift

Supervising Art Director:
Matthew Hywel-Davies

Supervising Sound Editor:
Andrew Stirk

Third Assistant "A" Camera:
Jared Kohler

Third Assistant "B" Camera:
Zaid Assaf

Truck Supervisor:
Hayley Carreira
Lloyd Middleton

Unit Publicist:
Laura Pettitt

VFX Editor:
Malcolm Crowe

Visual Effects Producer:
Leila Nicotera

Visual Effects Supervisor:
Sebastian Barker

Click the heading above to show or hide the list.

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.