A work in constant progress (and occasional regress).
Release Date:
January 17, 2003
Original Title:
Prendimi l'anima
Alternate Titles:
Esir ruhlar
Jornada da Alma
L'Âme en jeu
Lélekszakadva
Sabina - kjaerlighet utan grensen
Sabina Spielreinin tarina
Te doy mi alma
Ψυχή και Σώμα
Genres:
Drama | History | Romance
Production Companies:
Cowboy Films
Eurimages
Film Commission Torino Piemonte
Jean Vigo Italia
La Città di Torino
Les Films du Centaure
Medusa Film
Presidenza del Consiglio del Ministri-Dipartimento dello Spettacolo
Tele+
Production Countries:
France | Italy | United Kingdom
Ratings / Certifications:
N/A
Runtime: 90
Zurich, 1905. Nineteen-year-old Russian Sabina Spielrein is put by her parents in a psychiatric hospital, suffering from a severe form of hysteria and refusing to eat. A compassionate doctor, Carl Gustav Jung, takes her under his care and, for the first time, experiments with the psychoanalytical method of his teacher Sigmund Freud. Thus is born a sweeping story of love and passion, of body and soul, soaring to the utmost heights, but also plunging to the darkest depths of the 20th century.
Accountant:
Loredana De Simone
Stefano Bassetti
Additional Casting:
Filippo Della Valle
Gianfranco Cazzola
Assistant Costume Designer:
Francesca Brunori
Massimo Cantini Parrini
Mara Masiero
Assistant Director:
Valerio Valente
Matteo Bellizzi
Assistant Editor:
Anna Del Dotto
Francesco Bilotti
Assistant Production Design:
Fabrizio Moschini
Assistant Set Decoration:
Fiorella Cicolini
Raffaella Cuviello
Associate Producer:
Gianni Arduini
BTS Footage:
Filippo Macelloni
Boom Operator:
Andrea Dallimonti
Casting:
Shaila Rubin
Lucy Boulting
Kate Dowd
Casting Assistant:
Daniela Millefiorini
Co-Producer:
Charles Steel
François Cohen-Séat
Co-Writer:
Gianni Arduini
Elda Ferri
Hugh Fleetwood
Giampiero Rigosi
François Cohen-Séat
Costume Design:
Francesca Sartori
Dialogue Coach:
John Fonseca
Director:
Roberto Faenza
Director of Photography:
Maurizio Calvesi
Editor:
Massimo Fiocchi
Editorial Services:
Luciana Pandolfelli
Electrician:
Vito Brunetti
Gino Stocchiero
Alessandro Marucco
Executive Producer:
Giulio Cestari
Olivia Sleiter
First Assistant Camera:
Alessandro Gentili
Foley Artist:
Sergio Basili
Gaffer:
Paolo Leurini
Antonio Leurini
Generator Operator:
Alberto Grassi
Grip:
Patrizio Emidi
Saverio Moggio
Antonio Ascione
Andrea Arnaud
Hair Department Head:
Ferdinando Merolla
Hairdresser:
Giorgio Gregorini
Massimiliano Gelo
Key Grip:
Cesare Emidi
Location Manager:
Joseph Geminale
Olga Nesterova
Makeup Artist:
Rosabella Russo
Antonello Resch
Makeup Department Head:
Vincenzo Mastrantonio
Music:
Andrea Guerra
Painter:
Giorgio Barullo
Rosa Ungolo
Luisa Iemma
Post Production Supervisor:
Franco Casellato
Producer:
Elda Ferri
Production Assistant:
Tiziano Tomei
Production Coordinator:
Paolo Pioggia
Production Design:
Giantito Burchiellaro
Production Secretary:
Sandra Melly
Enrico De Lotto
Fabiola Basilotta
Maura Cuda
Property Master:
Salvatore Alonzo
Giancarlo Pagani
Public Relations:
Francesca Martinotti
Screenplay:
Alessandro Defilippi
Roberto Faenza
Script Supervisor:
Maria Bisognin
Melissa Strizzi
Seamstress:
Maddalena Gentile
Laura Zoccali
Grazia De Marinis
Maria Pia Rossi
Second Assistant Camera:
Emanuele Leurini
Alfio D'Agata
Set Decoration:
Stefano Paltrinieri
Sound:
Mario Dallimonti
Sound Editor:
Lilio Rosato
Michele Zaccagnini
Sound Effects Editor:
Massimiliano Normanno
Gianluca Basili
Antonio Tirinelli
Sound Mixer:
Danilo Moroni
Steadicam Operator:
Salvatore Anversa
Still Photographer:
Daniele Musso
Story:
Roberto Faenza
Unit Production Manager:
Viktor Efremov
Katia Franco
VFX Supervisor:
Rob Hodgson
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.