A work in constant progress (and occasional regress).
Release Date:
October 13, 1995
Original Title:
We Hold These
Production Countries:
United States of America
Ratings / Certifications:
N/A
Runtime: 12
Part 2 of Trilogy. Dedicated to Phil Solomon. The "Truths" of this film, which the title prompts, are slightly recognizable patterns of fish and animal biology, plant and flower shapes, and human anatomy which are interwoven with pastel cubes and other geometries - pastels as if "hung" in a white light interwoven with straight and diagonally bent black lines, eventually clear architectural forms. The recognizable patterns are literally etched on black leader (primarily) and interspersed with very organic painted forms on white. There is often an intended sense of hair and mucous membrane amidst these forms and interwoven with the electric "x-ray" sense of bones. The interplay between black-and-white sections and multi-colored sections increases until there is some sense of merging the two toward the end.
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.