A work in constant progress (and occasional regress).
Release Date:
November 13, 2009
Original Title:
El hombre de al lado
Alternate Titles:
El Hombre de al Lado (The Man Next Door)
Genres:
Comedy | Drama | Thriller
Production Companies:
Aleph
INCAA
Televisión Abierta
Production Countries:
Argentina
Ratings / Certifications:
N/A
Runtime: 103
When two neighbours clash, their argument becomes less about proposed building alterations and more about the wider battle between class and social status. The hugely impressive building in question is the only example of a Le Corbusier residential home in all of Latin America, adding to the poignancy of their argument.
Art Department Assistant:
Lucía Carnicero
Nicolás Deluca
Art Direction:
Lola Llaneza
Assistant Art Director:
Laura Bernasconi
Boom Operator:
Nicolás Mazzola
Juan Manuel Molteni
Camera Operator:
Jerónimo Carranza
Cinematography:
Mariano Cohn
Gastón Duprat
Consulting Producer:
Victoria Aizenstat
Director:
Gastón Duprat
Mariano Cohn
Director of Photography:
Gastón Duprat
Editor:
Klaus Borges
Jerónimo Carranza
Executive Producer:
María Belén de la Torre
Executive Producer's Assistant:
Jota Santamaría
Film Processor:
Beto Acevedo
First Assistant Camera:
Juan Chiaradia
First Assistant Director:
Diego Bliffeld
Foley Artist:
Pablo Orzeszko
Line Producer:
Fernando Sokolowicz
Makeup Artist:
Barbara Mazzochi
Music:
Sergio Pángaro
Producer:
Fernando Sokolowicz
Alejandro Kaed
Production Assistant:
Kutty Canteros
Cecilia Seguí
Inês Varela
Production Manager:
Carla Sanguineti
Second Assistant Camera:
Leandro Giacci
Second Assistant Director:
Carlos Maris
Sound:
Ricardo Pitterbarg
Sound Director:
Adrián de Michele
Sound Editor:
Matias Yudica Bartels
Gerardo Kalmar
Special Effects Coordinator:
Franco Burattini
Story:
Andrés Duprat
Supervising Sound Editor:
Nicolás Cecinini
Visual Effects Camera:
Georgina Pretto
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.