A work in constant progress (and occasional regress).
Release Date:
March 21, 2017
Original Title:
Invisible
Alternate Titles:
Invisible 2017
인비저블
Genres:
Drama
Production Companies:
Agência Nacional do Cinema - ANCINE
AireCine
Augenschein Filmproduktion
Banco Regional de Desenvolvimento do Extremo Sul
Cine Argentino
Film Factory
Film- und Medienstiftung NRW
Fundo Setorial do Audiovisual
Good Fortune Films
INCAA
Instituto del Cine y Audiovisual del Uruguay (ICAU)
L'Aide aux Cinémas du Monde
Productora MG
Programa Ibermedia
Sancho & Punta
Séacuàtico
Tarea Fina
Production Countries:
Argentina | Brazil | France | Germany | Uruguay
Ratings / Certifications:
RO: 18
Runtime: 87
Ely is 17 years old. After school, she works few hours at a pet shop. When Ely learns that she is pregnant, her inner world explodes even though she tries to go on with her daily routine as if nothing was different. She is afraid and upset, and she knows that, whatever she decides to do, there is no turning back.
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Art Department Trainee:
Ana Altmark
Art Direction:
Aili Chen
Assistant Camera:
Mariano Poleri
Federico Jose Casagrande
Assistant Director:
Mariano Biasin
Assistant Director Trainee:
Ignacio Montenegro Bralic
Assistant Location Manager:
Hugo Souto
Assistant Production Manager:
Lina Montello
Assistant Sound Editor:
Julia Teles
Associate Producer:
Gastón Gallo
Delia Malek
Marcos Solano
Camera Operator:
Diego Poleri
Casting:
María Laura Berch
Casting Assistant:
Verónica Souto
Co-Producer:
Julia Alves
Clément Duboin
Javier Palleiro
Michael Wahrmann
Silvia Cruz
Guillermo Rocamora
Jonas Katzenstein
Maximilian Leo
Frédéric Corvez
Colorist:
Alexandre Cristófaro
Continuity:
Florencia Momo
Costume Design:
Laura Donari
Dialogue Editor:
Martín Scaglia
Francisco Pedemonte
Director:
Pablo Giorgelli
Director of Photography:
Diego Poleri
Editor:
María Astrauskas
Electrician:
Sebastián Sarlenga
Executive Assistant:
Candela Treffinger
Executive Producer:
Juan Pablo Miller
Ariel Rotter
Executive Producer's Assistant:
Candela Treffinger
Focus Puller:
Mauricio Heredia
Foley Artist:
Miren Begoña Cortazar
Foley Editor:
Agustín Casola
Foley Recordist:
Constanza Pando
Gaffer:
Juan Manuel Tizón
Genetator Operator:
Javier Argañaraz
Key Grip:
Jorge Coki Tristán
Lighting Coordinator:
Marcelo Montenegro
Line Producer:
Mariana Ponisio
Location Assistant:
Hugo Souto
Location Manager:
Juan Ignacio Garri
César Sodero
Makeup Artist:
Celeste Fernanda Dunan
Original Music Composer:
Pedro Onetto
Post Production Assistant:
Luiza Freire
Post Production Coordinator:
Brunno Schiavon
Producer:
Juan Pablo Miller
Ariel Rotter
Pablo Giorgelli
Production Accountant:
Fabienne Labarthe
Production Assistant:
Maria José Belda
Lina Montello
Production Manager:
Santiago López Rodríguez
Production Trainee:
Pablo González Dadone
Props:
Marcelo Wallace Suárez
Scoring Mixer:
Patrick de Jongh
Second Assistant Camera:
Lorna Santiago
Second Assistant Director:
Verónica Biasin
Set Dresser:
Marilina Alvarez
Sound:
Martín Litmanovich
Edson Secco
Sound Assistant:
Ubiratan Guidio
Sound Editor:
Fernando Ribero
Sound Re-Recording Mixer:
Edson Secco
Sound Recordist:
Juliano Zoppi
Visual Effects:
Alexandre Cristófaro
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At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.