A work in constant progress (and occasional regress).
Release Date:
September 29, 2017
Original Title:
Apostasy
Alternate Titles:
Apostazija
Genres:
Drama
Production Companies:
Frank & Lively
iFeatures
Production Countries:
United Kingdom
Ratings / Certifications:
CA: PG GB: PG IE: 12
Runtime: 94
A faithful Jehovah's Witness is forced to shun her own sister because of a religious transgression. As the separation draws out, she starts to question the meaning of God's love.
ADR Mixer:
Dean Covill
Art Department Assistant:
Saiyda Adalat
Art Direction:
Alice Webster
Boom Operator:
Ruth Elizabeth Howard
Casting:
Michelle Smith
Cinematography:
Adam Scarth
Colorist:
John Claude
Costume Design:
Lance Milligan
Costume Supervisor:
Aisling Bannon
Dialogue Editor:
Marc Specter
Director:
Daniel Kokotajlo
Editor:
Napoleon Stratogiannakis
Electrician:
Craig Cowper
Executive Producer:
Christopher Granier-Deferre
Christopher Moll
First Assistant Camera:
Eira Wyn Jones
First Assistant Director:
Ursula Haworth
Foley Artist:
Tapio Liukkonen
Line Producer:
Josh Dynevor
Location Manager:
Mike Higson
Makeup Artist:
Stephanie Lalley
Makeup Designer:
Lisa Parkinson
Music:
Matthew Wilcock
Music Supervisor:
Mark Kirby
Producer:
Marcie MacLellan
Andrea Cornwell
Production Design:
John Ellis
Production Manager:
James Youd
Script Editor:
Lila Rawlings
Script Supervisor:
Claire Chang
Second Assistant Camera:
Dann Cooper
Second Assistant Director:
John William Turner
Sound Designer:
Enos Desjardins
Matthew Wilcock
Sound Re-Recording Mixer:
Howard Bargroff
Sound Recordist:
Dave Ratcliffe
Special Effects Supervisor:
Scott McIntyre
Still Photographer:
Alex Hulsey
Third Assistant Director:
Lucy Gough-Jones
Visual Effects Producer:
Jonathan Rawlinson
Writer:
Daniel Kokotajlo
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.