A work in constant progress (and occasional regress).
Release Date:
January 1, 2016
Original Title:
Lost and Found
Ratings / Certifications:
N/A
Runtime: 30
Lost and Found invokes language itself as a cultural construction that contains and generates worlds. It continues Hiller's focus on language groups and their speakers but now includes languages (some endangered and vulnerable, some extinct) that might be leaving the archive to be spoken in the present and the future. As if to reinforce the physicality of these possible returns and survivals, a flexing green oscilloscope line tracks the sound made by the voiced plosives, fricatives, and aspirations. This moving wave also acts as a synecdoche for the arena of technology; although the production of a prevailing and flattening culture, it also operates as a platform used by the excluded and the marginalized for agency and expression. Technology allows the voices of the dead to be heard. On being heard, these voices return to the living to be mouthed, to articulate the particular mappings and experiences of the worlds that these languages describe and contain.
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.