A work in constant progress (and occasional regress).
Release Date:
May 20, 2017
Original Title:
Tokyo, Cataclysmes et Renaissance
Alternate Titles:
Tokio - Zerstörung und Wiedergeburt
Tokyo Phoenix: The Rise of Modern Japan
Genres:
Documentary | History | TV Movie
Production Companies:
ARTE
CC&C
NHK
Production Countries:
France | Japan
Ratings / Certifications:
FR: TP
Runtime: 90
In 150 years, twice marked by total destruction —a terrible earthquake in 1923 and incendiary bombings in 1945— followed by a spectacular rebirth, Tokyo, the old city of Edo, has become the largest and most futuristic capital in the world in a transformation process fueled by the exceptional resilience of its inhabitants, and nourished by a unique phenomenon of cultural hybridization.
Administration:
Hervé Guevel
Assistant Editor:
Cyril Polinacci
Antoine Plouzen
Color Grading:
Éric Salleron
Director:
Olivier Julien
Editor:
Annick Raoul
Graphic Designer:
Jérôme Letué
Original Music Composer:
Gérard Cohen-Tannugi
Post Production Coordinator:
Nicole Doucy
Producer:
Louis Vaudeville
Production Assistant:
Benjamin Ferbus
Production Director:
Anne-Séverine Loiseleur des Longchamps
Florence Sarrazin Mounier
Production Executive:
Diane Desfarges
Production Secretary:
Estelle Parel
Sound Editor:
Lionel Montabord
Sound Engineer:
Frédéric Heinrich
Sound Mixer:
Amélie Canini
Writer:
Olivier Julien
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.