A work in constant progress (and occasional regress).
Release Date:
August 12, 2017
Original Title:
Summer in the Vineyard
Genres:
Romance | TV Movie
Production Companies:
Hallmark Media
Head First Productions
Muse Entertainment
Production Countries:
Canada | United States of America
Ratings / Certifications:
US: G
Runtime: 90
Frankie and Nate are now a couple and are gearing up for Summer Fest, the town's largest event. They can't wait to reveal their new wine and put the vineyard on the map. But when an issue with the wine puts things in jeopardy, both the relationship and the partnership will be put to the test.
"A" Camera Operator:
Mark Lunn
"B" Camera Operator:
Tammy Jones
Art Direction:
Koraleen Jarvis
Assistant Accountant:
Aidan Heatley
Assistant Costume Designer:
Jordan Hintz
Assistant Editor:
Buket Topalakci Biles
Assistant Hairstylist:
Kianna Lopes
Assistant Location Manager:
Brittany Olsen
Assistant Makeup Artist:
Ashley Pilkey
Assistant Production Coordinator:
Sean Blatchford
Denise Cramer
Assistant Property Master:
Martin Jasiak
Assistant Set Decoration:
Nick Wilton
Assistant Sound Editor:
Tony Rodney
Background Casting Director:
Stephanie Boeke
Best Boy Electric:
Liam Garagan
Best Boy Grip:
Blake Alexus
Boom Operator:
Ryan Gardiner
Casting:
Candice Elzinga
Casting Assistant:
Martina Smyth
Colorist:
Andrea Dixon
Consulting Producer:
Marina Adair
Costume Designer:
Claudia Da Ponte
Costume Set Supervisor:
Shana Hintz
Dialogue Editor:
Christine McLeod
Digital Imaging Technician:
Jason Kwan
Director:
Martin Wood
Director of Photography:
Ron Stannett
Dolly Grip:
Morgan Schmidt-Feng
Taylor Nash
Editor:
Ron Yoshida
Executive Producer:
Shawn Williamson
Rachael Leigh Cook
Trevor McWhinney
Jim Head
Michael Prupas
Joel S. Rice
First Assistant "A" Camera:
Jonathan Yip
First Assistant "B" Camera:
Tyler Meehan
First Assistant Director:
Kevin Speckmaier
Foley Artist:
Shane Shemko
Foley Editor:
Kevin Barron
Foley Mixer:
Elaine Stef
Adam Sharpe
Gaffer:
Tracey Chapman
Generator Operator:
Brian Lymer
Grip:
Grace Leoppky
Patrick Oh
Jesse D.E. Young
Key Grip:
Paul Human
Key Hair Stylist:
Tara Hadden-Watts
Key Makeup Artist:
Lindsay Pilkey
Location Manager:
Rico Mielnicki
Music Coordinator:
Francesca Cammarata
Music Editor:
Dave Stephens
Music Supervisor:
Valerie Biggin
Novel:
Marina Adair
Online Editor:
Lorne Wright
Original Music Composer:
Jeff Tymoschuk
Payroll Accountant:
Mai-Britt Kotzman
Post Production Coordinator:
Darlene Choo
Post Production Supervisor:
Jonathan Shore
Koah Kruse
Producer:
Trevor McWhinney
Jamie Goehring
Production Accountant:
Trudi Thorwaldson
Production Coordinator:
Joey Setter
Production Design:
Brian Davie
Production Manager:
Michelle Samuels
Property Master:
Lloyd Stone
Script Supervisor:
Chris Scheurman
Second Assistant "A" Camera:
Lake Hughes
Second Assistant "B" Camera:
Ryan Bishop
Second Assistant Director:
Dave T. Nall
Security Coordinator:
Sean Hanlin
Set Decoration:
Roger Dole
Set Dresser:
Norman Champagne
Ryan Markle
Sound Designer:
Ken Cade
Sound Editor:
Kevin Barron
Sound Mixer:
John Boyle
Sound Re-Recording Mixer:
Mark Angly
David Green
Kevin Morales
Steadicam Operator:
Tammy Jones
Still Photographer:
Bettina Strauss
Third Assistant Director:
Natalie Fiteni
Transportation Captain:
Derek Keillor
Transportation Coordinator:
Kam Dhesi
Truck Costumer:
Stephanie Pols
Unit Manager:
Rico Mielnicki
Visual Effects Supervisor:
Brett Keyes
Writer:
Julie Sherman Wolfe
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.