A work in constant progress (and occasional regress).
Release Date:
September 27, 2016
Original Title:
Lot Lizard
Genres:
Documentary
Production Companies:
Eric Feig Entertainment & Media Law
Long Haul Productions
Ratings / Certifications:
N/A
Runtime: 72
Lot Lizard is a feature documentary about truck stop sex workers in America. There are three million truck drivers and thousands of truck stops throughout the United States. Many of them are frequented by sex workers who truck drivers refer to as lot lizards. The film follows Jennifer, a recovering sex worker who is trying to get her life back on track, Bobby, a man struggling to come to grips with his girlfriend's livelihood, and Betty, an aging sex worker who makes no apologies for her lifestyle. These intimate portraits hint at a broader story about America, how it deals with its 'derelicts,' and how we are implicated as consumers.
Assistant Editor:
James Fattu
Matthew Fleischmann
Alex Zustra
Associate Producer:
Mei Li Heman
Camera Operator:
Michael Melcone
Ilya Shnitser
Cinematography:
Alexander Perlman
Director:
Alexander Perlman
Editor:
Matthew Dougherty
Alexander Perlman
Editorial Consultant:
Thomas M. Vogt
Executive Producer:
Eric Feig
Daniel Marracino
Legal Services:
Peter Flanigan
Music:
Matthew Dougherty
Post Production Assistant:
Marvin Yoda
Producer:
Daniel Livingston
Alexander Perlman
Supervising Sound Editor:
Cory Choy
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.