A work in constant progress (and occasional regress).
Release Date:
May 21, 1982
Original Title:
Visiting Hours
Alternate Titles:
Das Horror Hospital
Get Well Soon
The Fright
Часы посещения
Genres:
Horror | Thriller
Production Companies:
Canadian Film Development Corporation
Filmplan International
Production Countries:
Canada
Ratings / Certifications:
DE: 18 US: R
Runtime: 105
A deranged, misogynistic killer assaults a journalist. When he discovers that she survived the attack, he follows her to the hospital to finish her off.
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Art Department Trainee:
Sylvie Dagenais
Art Direction:
Michel Proulx
Assistant Costume Designer:
Ginette Magny
Assistant Makeup Artist:
Kathryn Casault
Assistant Production Manager:
Janet E. Cuddy
Assistant Set Dresser:
Simon La Haye
Jean Gauthier
Assistant Sound Editor:
Viateur Paiement
Color Timer:
Thomas Metzger
Costume Design:
Delphine White
Dialogue Editor:
Claude Langlois
Brian Holland
Director:
Jean-Claude Lord
Director of Photography:
René Verzier
Editor:
Jean-Claude Lord
Lise Thouin
Executive Producer:
Pierre David
Victor Solnicki
First Assistant Art Direction:
Dominique L'abbé
First Assistant Director:
Julian Marks
Foley:
Andy Malcolm
Hair Department Head:
Constant Natale
Hairstylist:
Pierre David
Makeup Artist:
Inge Klaudi
Original Music Composer:
Jonathan Goldsmith
Producer:
Claude Héroux
Production Manager:
Gwen Iveson
Property Master:
Jean-Baptiste Tard
Props:
Daniel Huysmans
Screenplay:
Brian Taggert
Second Assistant Director:
Blair Roth
Set Dresser:
François Séguin
Sound Designer:
Marcel Pothier
Special Effects Makeup Artist:
Stephan Dupuis
Stunt Coordinator:
M. James Arnett
Stunt Double:
Linda Singer
Michelle Viau
Third Assistant Director:
David Bailey
Unit Manager:
Michel Wachniuc
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Additional data for Film Titles come from The Open Movie Database (OMDb).
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.