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Human Flow (2017) [N/A]

Release Date:
October 2, 2017

Original Title:
Human Flow

Alternate Titles:
Human Flow: Não Existe Lar se Não Há Para Onde Ir
Marea Humana

Genres:
Documentary

Production Companies:
24 Media Production Company
AC Films
Ai Weiwei Studio
Highlight Films
Participant
Redrum

Production Countries:
Germany | United States of America

Ratings / Certifications:
AU: M  BR: 12  DE: 6  DK: 15  IE: 12  JP: G  LT: N-13  NL: 12 

Runtime: 140

When there is nowhere to go, nowhere is home.

Overview from TheMovieDB

More than 65 million people around the world have been forced from their homes to escape famine, climate change and war, the greatest displacement since World War II. Filmmaker Ai Weiwei examines the staggering scale of the refugee crisis and its profoundly personal human impact. Over the course of one year in 23 countries, Weiwei follows a chain of urgent human stories that stretch across the globe, including Afghanistan, France, Greece, Germany and Iraq.

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Production

Assistant Camera:
Roshdi Sarraj
Yaser Murtaja

Director:
Ai Weiwei

Director of Photography:
Wenhai Huang
Johannes Waltermann
Dongxu Li
Ai Weiwei
Christopher Doyle
Koukoulis Konstantinos
Renaat Lambeets
Ma Yan
Murat Bay
Zanbo Zhang
Lv Hengzhong

Editor:
Nils Pagh Andersen

Executive Producer:
Andy Cohen
Diane Weyermann
Jeff Skoll

Producer:
Heino Deckert
Chin-Chin Yap
Ai Weiwei

Writer:
Tim Finch
Boris Cheshirkov
Chin-Chin Yap

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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.