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Football or Me (2017) [N/A]

Release Date:
August 10, 2017

Original Title:
El fútbol o yo

Alternate Titles:
My Love or My Passion

Genres:
Comedy | Family | Romance

Production Companies:
Cine Argentino
Creative Andina
INCAA
Lihuen Andina S.A.
Patagonik
Pol-Ka Producciones

Production Countries:
Argentina

Ratings / Certifications:
BR: 10  DE: 6 

Runtime: 100

Overview from TheMovieDB

A sports fan loses everything for being addicted to his team and soccer. He then starts a quest to find a cure and recover his wife's love.

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Additional information:

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Performers

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Production

"B" Camera Operator:
Santiago Guzmán

Administration:
Judith Kusnir

Art Department Assistant:
Paula Benelbas
Luciana Arriaza Abruzzini
Carolina Pérez
Sonia Sorriente
Malén Cortés

Art Direction:
Mercedes Alfonsín

Assistant Director:
Adriana Vior

Assistant Director Trainee:
Santiago Boskovich

Assistant Editor:
Anabela Lattanzio

Assistant Location Manager:
Santiago Serret
Mariel Cecilia Gómez
María Sol Bizozzero

Assistant Makeup Artist:
Marcos Caceres

Assistant Property Master:
Nahuel Ladner

Boom Operator:
Hernán Converti
Luciana Braga
Miguel Tennina

Camera Trainee:
Joaquín Pulpeiro

Casting:
Florencia Liminoff

Casting Assistant:
Carolina Milli

Cinematography:
Rolo Pulpeiro

Co-Producer:
José Mauricio Levy
Marcos Carnevale

Continuity:
María Camila Menendez

Costume Assistant:
Valeria Fernández
Iara Gernetti

Costumer:
Julio Suárez

Data Management Technician:
Juan Samyn
Evangelina Montes
Ignacio Chaves

Development Producer:
Carola Jalife

Dialogue Editor:
Lautaro Aichenbaum

Digital Compositor:
Carlos Villafañe
Luciano Maggio
Leopoldo Castro
Pablo Sebastián Ramallo
Humberto Paytuvi

Digital Imaging Technician:
Pablo Bernst

Director:
Marcos Carnevale

Editor:
Luis Barros

Electrician:
Javier Francisco Caña
Julio González
Daniel Nahuel
Darío Cornejo

Executive Producer:
Juan Lovece

Executive Producer's Assistant:
Margarita Murphy

Extras Casting Coordinator:
Liliana Martynczuk

First Assistant Director:
Fernanda Delpino

Focus Puller:
Hernán Alvarado
Ignacio Acevedo

Foley Artist:
Sebastián Sonzogni

Foley Recordist:
Agustín Casola

Gaffer:
Jaime Muschietti

Genetator Operator:
Antonio Aguilera
Mauro Cáceres

Grip:
Sergio Olmos
Ramón Torres
Gustavo Donato

Hair Assistant:
Flavia Campos

Hairstylist:
Araceli Farace

Key Grip:
José Cortéz

Lighting Manager:
Ramón Cáceres

Lighting Supervisor:
Javier Inchauspe

Location Manager:
Eugenia D'Alessio

Makeup Artist:
Verónica Sabatini

Music:
Iván Wyszogrod

Post Production Coordinator:
Gustavo Arnaudin
César Tercero

Post Production Supervisor:
Victor Vasini

Producer:
Adrián Suar
Juan Vera
Juan Pablo Galli
Christian Faillace

Producer's Assistant:
Denise Brion

Production Assistant:
Adriana Vior
Nicolas Pollastri
Simone Bosshart

Production Manager:
Germán Garrido

Production Trainee:
Gonzalo Domato

Props:
Claudio Palavecino

Second Assistant "B" Camera:
Rafael Guzmán

Second Assistant Camera:
Rodrigo Sanchez

Second Assistant Director:
Eliana Roses

Set Decoration:
Matías Martínez

Settings:
Germán Naglieri

Sound:
Vicente D'Elia

Sound Director:
Julián Cats

Sound Effects Editor:
Martín Litmanovich

Sound Mixer:
Leandro de Loredo

Sound Post Supervisor:
Vicente D'Elia

Special Effects Supervisor:
Alejandro Valente

Steadycam:
Gustavo Triviño
Nicolás Mayer

Still Photographer:
Alina Schwarcz

Story:
Riton Liebman
Gábor Rassov

Video Assist Operator:
Guillermo Kron
Tania Tejeda

Visual Effects Coordinator:
Dante Martínez

Writer:
Adrián Suar
Marcos Carnevale

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Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.