A work in constant progress (and occasional regress).
Release Date:
January 21, 1966
Original Title:
Námestie svätej Alžbety
Alternate Titles:
Ide o môj život
The Square of Saint Elisabeth
Genres:
Drama | War
Production Companies:
Štúdio hraných filmov Bratislava
Production Countries:
Czechoslovakia
Ratings / Certifications:
N/A
Runtime: 85
Film adaptation of Rudolf Jašík's novel of the same name. The plot of the film is situated in the forties of our century, in the first years of the Second World War. It captures the political and social atmosphere of one of the Slovak towns that lives seemingly in the lee, far from the world and war. Well, appearances are deceiving. Beneath the surface of peaceful, everyday life, a tragic process is taking place, accelerating people's destinies, the disintegration of their characters, but also the maturing of their relationships. The film is the story of Eva and Igor, their love, violently interrupted by political events. In this era of personal and social tragedies, children become adults almost overnight, honest people become victims, and mentally ill people become murderers. The film about the fates of Eva and Igor, the Jewish cartmen Samko and Maxi, and the careerist Flórik presents a believable, convincing picture of the era marked by the expansion of fascism.
Assistant Production Design:
Miloš Kalina
Conductor:
František Belfín
Costume Design:
Zuzana Bočeková
Director:
Vladimír Bahna
Director of Photography:
František Lukeš
Editor:
Bedřich Voděrka
First Assistant Director:
Alexander Bada
Lead Costumer:
Štefan Koller
Line Producer:
Jiří Hlošek
Makeup Artist:
Michal Jurkovič
Musician:
Jozef Malovec
Novel:
Rudolf Jašík
Original Music Composer:
Jozef Malovec
Production Design:
Anton Krajčovič
Production Manager:
Gejza Maráky
Property Master:
Oskar Havlík
Screenplay:
Štefan Sokol
Script:
Helena Tankovičová
Sound:
Jaroslav Plavec
Unit Production Manager:
Emil Bandík
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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.