A work in constant progress (and occasional regress).
Release Date:
August 21, 2017
Original Title:
საშიში დედა
Alternate Titles:
Ohtlik ema
Sashishi Deda
Sašiši Deda
Genres:
Drama
Production Companies:
Allfilm
Artizm
Gemini
Production Countries:
Estonia | Georgia
Ratings / Certifications:
LT: N-13
Runtime: 107
A 50-year-old housewife, Manana, struggles with her dilemma - she has to choose between her family life and her passion, writing, which she had repressed for years - she decides to follow her passion and plunges herself into writing, sacrificing to it mentally and physically.
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Assistant Art Director:
Irakli Mchedlidze
Assistant Costume Designer:
Tina Akhalaia
Assistant Makeup Artist:
Eka Chikhradze
Boom Operator:
Tengo Asitachvili
Camera Operator:
Guka Goliadze
Casting:
Eka Mzhavanadze
Co-Producer:
Ivo Felt
Colorist:
Ivar Taim
Costume Design:
Ketevan Kalandadze
Dialogue Editor:
Irakli Ivanishvili
Digital Imaging Technician:
Sandro Japaridze
Director:
Ana Urushadze
Director of Photography:
Konstantin Esadze
Editor:
Alexander Kuranov
Electrician:
Alex Lomtatidze
David Tsimakouridze
First Assistant Camera:
Giviko Tukhareli
First Assistant Director:
Eliso Chanturia
Foley Artist:
Nika Paniashvili
Gaffer:
Shalva Leluashvili
Makeup Artist:
Madonna Chanturia
Music:
Nika Pasuri
Online Editor:
Tanel Toomsalu
Producer:
Lasha Khvalashvili
Tinatin Kajrishvili
Production Design:
Tea Telia
Second Assistant Director:
David Azdak Khvedelidze
Set Decoration:
Jimsher Berdzenishvili
Set Dresser:
Giorgi Gordzamashvili
Sound Designer:
Paata Godziashvili
Sound Editor:
Paata Godziashvili
Sound Re-Recording Mixer:
Paata Godziashvili
Sound Recordist:
Ivane Gvaradze
Special Effects:
Soso Gvasalia
Dato Gvasalia
Still Photographer:
Marta Urushadze
Third Assistant Director:
Anna Mariakhina
Visual Effects:
Vako Agladze
Writer:
Ana Urushadze
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.