A work in constant progress (and occasional regress).
Release Date:
December 15, 2023
Original Title:
The Zone of Interest
Alternate Titles:
A Zona de Interesse
Ezor Ha'In'yan
Huvivöönd
Jon obeu inteoreseuto
KP24: Interesų zona
La Zone d'intérêt
La zona d'interesse
La zona de interés
Maraq Dairəsi
Strefa interesów
Zona De Interés
Zona de Interesse
Zona de interes
Zona de interés
Zona interesa
Zóna zájmu
Zóna záujmu
Érdekvédelmi terület
İlgi Alanı
Ζώνη ενδιαφέροντος
Зона интереса
Зона интересов
Зона інтересу
منطقه مورد علاقه
兴趣之地
利害之畿
利益区域
夢想集中營
特權樂園
関心領域
더 존 오브 인터레스트
존 오브 인터레스트
Genres:
Drama | History | War
Production Companies:
A24
Access Entertainment
Extreme Emotions
Film4 Productions
JW Films
Production Countries:
Poland | United Kingdom | United States of America
Ratings / Certifications:
AU: M BE: 14 BR: 14 CA: 14A CZ: 12+ DE: 12 DK: 7 ES: 12 FI: K-12 GB: 12A|12 HK: IIA ID: 13+ IE: 12A IN: UA KR: 12 LT: N-13 MX: B NL: 12|14 NO: 12 NZ: M PL: 12 PR: PG-13 PT: M/12 RU: 18+ SE: 11 SG: PG TH: 13 TR: 13A TW: 6+ US: PG-13 VI: PG-13
Runtime: 105
The commandant of Auschwitz, Rudolf Höss, and his wife Hedwig, strive to build a dream life for their family in a house and garden next to the camp.
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Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.
ADR Recordist:
Oliver Vorderbruegge
Additional Casting:
Katrin Vorderwülbecke
Administration:
Agnieszka Stanek
Elżbieta Śnigórska
Magdalena Plucennik
Art Department Coordinator:
Jadwiga Bocheńska
Assistant Camera:
Bartosz Toboła
Assistant Editor:
Ludwik Sielicki
Assistant Production Manager:
Maja Krężel
Łucja Dylewicz
Kornelia Kamieniarz
Maciej Wąsiel
Camera Car:
Filip Jurzyk
Marek Rolka
Camera Operator:
Stanisław Cuske
Bartosz Toboła
Casting:
Simone Bär
Alexandra Montag
Magdalena Szwarcbart
Jacqueline Rietz
Gniewko Falana
Catering:
Piotr Koszniec
Marta Zieja
Beata Lewicka
Roman Kupis
Co-Producer:
Bugs Hartley
Bartek Rainski
Colorist:
Gareth Bishop
Costume Design:
Małgorzata Karpiuk
Data Wrangler:
Marcin Laskus
Jakub Cmiel
Marcela Paniak
Jacek Wielgosz
Dialogue:
Lukas Feigelfeld
Digital Compositor:
Jonathan Atkins-Pott
Pete Baxter
Sanju Travis
Maxwell Alexander
Charlotte Larive
Hannah Sornay
Digital Imaging Technician:
Krzysztof Włodarczyk
Krzysztof Zawieja
Digital Intermediate:
Krzysztof Włodarczyk
Digital Intermediate Data Wrangler:
Lindsey Studholme
Digital Intermediate Producer:
Sarah Morowa
Director:
Jonathan Glazer
Director of Photography:
Łukasz Żal
Editor:
Paul Watts
Executive Producer:
Len Blavatnik
Ollie Madden
Daniel Battsek
David Kimbangi
Danny Cohen
Reno Antoniades
Tessa Ross
Executive Visual Effects Producer:
Aimee Dadswell
First Assistant Director:
Marc A. Wilson
First Assistant Editor:
Andreas D. Nold
Focus Puller:
Katarzyna Świetlikowska
Anna Bogacz
Maciej Król
Łukasz Skwara
Marek Puzia
Filip Baczuń
Jakub Kierski
Foley Artist:
Jacek Wiśniewski
Foley Editor:
Dawid Konecki
Kamil Kwiatkowski
Natalia Lubowiecka
Ewa Mazurkiewicz
Foley Mixer:
Filip Stefanowski
Michał Wilczewski
Grip:
Rafał Kołodziej
Michał Kucharzewski
Hervé Renoud-Lyat
Hairstylist:
Tomasz Sielecki
In Memory Of:
Martin Amis
Aleksandra Bystroń-Kołodziejczyk
Simone Bär
Key Grip:
Tomasz Sternicki
Line Producer:
Magdalena Malisz
Location Manager:
Eugene Strange
Makeup Artist:
Tomasz Sielecki
Makeup Designer:
Waldemar Pokromski
Master Lighting Artist:
Konrad Pruski
Matchmove Supervisor:
Xavier Goubin
Matte Painter:
Rick Kamp
Music:
Joseph Wulf
Music Supervisor:
Bridget Samuels
Novel:
Martin Amis
Original Music Composer:
Mica Levi
Other:
Franz Rodenkirchen
Post Production Supervisor:
Richard Lloyd
Producer:
James Wilson
Ewa Puszczyńska
Production Coordinator:
Molly Moffatt
Dominika Połomska
Witold Franczak
Production Design:
Chris Oddy
Production Manager:
Małgorzata Bereźnicka
Production Sound Mixer:
Tarn Willers
Props:
Marek Zagdański
Researcher:
Lucy Pardee
Michał Śliwkiewicz
Roto Supervisor:
Josh Black
Jenny Gauci
Katherine Melville
Richard Van De Steenoven
Rotoscoping Artist:
Luke Beckett
Duarte Castelo Branco
Simon Firth
Alex Frost
Maxime Gouilloux
Matthew Hale
Adam Middleton
Sophie Newton
Francesca Pappalardo
Lucas Poncon
Celine Pourcelot
Lewis Powis
Robyn Roach
Sara Roxanne Rydding
Script:
Marzena Popławska
Second Assistant Camera:
Karol Masiarz
Second Assistant Director:
Mieszko Falana
Second Second Assistant Director:
Dominik Watin
Set Decoration:
Joanna Kuś
Katarzyna Sikora
Sound Assistant:
Beresford Cookman
Sound Designer:
Johnnie Burn
Sound Editor:
Maximilian Behrens
Sound Effects Editor:
Simon Carroll
Brendan Feeney
Joe Mount
Sound Engineer:
Jim Ogden
Sound Mix Technician:
Declan Ilett
Ashley Smith
Mateusz Stasiak
Sound Re-Recording Mixer:
Johnnie Burn
Special Props:
Joanna Sikora
Damian Skrzek
Anna Ciasto-Cytowicz
Adrian Budzyński
Still Photographer:
Agata Grzybowska
Jakub Kamiński
Stunt Coordinator:
Jakub Kostrzewa
Stunts:
Tomasz Jarzębski
Franciszek Zuzak
Jakub Bartosiewicz
Kacper Wierzbicki
Patryk Radziszewski
Arkadiusz Suwalski
Kamil Kozłowski
Dawid Giera
Supervising Art Director:
Katarzyna Sikora
Joanna Kuś
Supervising Sound Editor:
Johnnie Burn
Thanks:
Sanford Lieberson
Jane Robertson
Tanya Seghatchian
Title Designer:
Alex Breuer
Translator:
Maciej Falkowski
Emilia Puszczyńska
Underwater Director of Photography:
Aleksander Pałasiński
VFX Editor:
Charlie Nevett
Sam Paul Toms
Video Assist Operator:
Konrad Kowalczyk
Krzysztof Świderski
Visual Effects:
Daniel Gilligan
Visual Effects Compositor:
Gregory Corraze
Giovanni Facci
Visual Effects Coordinator:
Beth Marshall
Samuele Pasquali
Visual Effects Producer:
Harry Landymore
Lucas Hanwell
Visual Effects Production Manager:
Archie Lodewyke
Marja Maccotta
Visual Effects Supervisor:
Bodie Clare
Guillaume Ménard
Writer:
Jonathan Glazer
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.