A work in constant progress (and occasional regress).
Release Date:
November 2, 2017
Original Title:
Three Summers
Genres:
Comedy
Production Companies:
Three Summers Films Productions
Production Countries:
Australia
Ratings / Certifications:
N/A
Runtime: 102
Set over three summers at The Westival, a fictional West Australian rural folk festival redoubtable local radio personality ‘Queenie' describes as "Australia in a tent". Two young musicians fall in love against a wider collection of tales dealing with a microcosm of contemporary discussion points, including Indigenous, immigration and refugee issues.
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Art Direction:
Louise Brady
Assistant Editor:
Regg Skwarko
Ivan Rojas
Associate Producer:
Robert Roworth
Camera Operator:
Gavin Head
Casting:
Leigh Pickford
Colorist:
CJ Dobson
Costume Design:
Terri Lamera
Costume Supervisor:
Lauren Widdicombe
Director:
Ben Elton
Director of Photography:
Katie Milwright
Editor:
Peter Pritchard
Executive Producer:
Jasper Graham
First Assistant "B" Camera:
Rebecca Crowe
First Assistant Camera:
Pietro Cusimano
First Assistant Director:
John Fairhead
Gaffer:
Jean Vandermeiren
Graphic Designer:
Alexander Locke
Location Manager:
Mike Montague
Makeup Artist:
Kate Anderson
Makeup Supervisor:
Karen Sims
Producer:
Michael Wrenn
Sue Taylor
Production Accountant:
Cherie Vierucci Whyte
Production Design:
Clayton Jauncey
Production Manager:
Tenille Kennedy
Production Secretary:
Shelby Shaw
Script Supervisor:
Kelly Hucker
Second Assistant Director:
Stuart Morrice
Set Decoration:
James Crombie
Sound Re-Recording Mixer:
Ric Curtin
Still Photographer:
David Dare Parker
Stunt Coordinator:
Peter West
Third Assistant Director:
Kiran Wilson
Unit Publicist:
Alicia Brescianini
Writer:
Ben Elton
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.