A work in constant progress (and occasional regress).
Release Date:
March 17, 2000
Original Title:
Erin Brockovich
Alternate Titles:
Erin Brockovich - Eine wahre Geschichte
Erin Brockovich, una mujer audaz
Una mujer audaz
에린 브로코비치
Genres:
Drama
Production Companies:
Jersey Films
Production Countries:
United States of America
Ratings / Certifications:
AU: M BR: 14 CH: 6 CZ: 12+ DE: 6 DK: A FI: S FR: 10 GB: 15 GR: 16 HU: 16 IE: 15 KR: 18 NL: 16 NO: 6 PL: 16 PT: M/12 RO: 18 SE: Btl SK: 12 US: R
Runtime: 131
A twice-divorced mother of three who sees an injustice, takes on the bad guy and wins -- with a little help from her push-up bra. Erin goes to work for an attorney and comes across medical records describing illnesses clustered in one nearby town. She starts investigating and soon exposes a monumental cover-up.
2003 #31 |
100 Years: 100 HEROES & VILLAINS
50 Greatest Heroes “Erin Brockovich” |
2006 #73 |
100 Years: 100 CHEERS
100 Most Inspiring Films Of All Time |
ADR Mixer:
Ron Bedrosian
ADR Recordist:
Brian Basham
Additional Second Assistant Director:
Nicholas Wolfert
Art Department Assistant:
Sarah Bullion
Art Department Coordinator:
Blair Huizingh
Art Direction:
Christa Munro
Assistant Accountant:
Gavin J. Behrman
Assistant Art Director:
Keith P. Cunningham
Assistant Camera:
James W. Apted
Assistant Director:
Gregory Jacobs
Assistant Editor:
John Axelrad
Assistant Location Manager:
Caleb Duffy
Assistant Production Coordinator:
Karen Jarnecke
Assistant Property Master:
Alberto Christiano Lombardo
Assistant Sound Editor:
James Morioka
Best Boy Electric:
Frank Endewardt
Best Boy Grip:
Rodney Veto
Boom Operator:
Joseph F. Brennan
Camera Loader:
Stacy De La Motte
Camera Operator:
Chris Lombardi
Carpenter:
Steven Kissick
Casting:
Margery Simkin
Casting Assistant:
Brumby Broussard
Casting Associate:
Carmen Cuba
Chef:
Antoine Mascaro
Co-Producer:
Gail Lyon
Color Timer:
Dana Ross
Construction Coordinator:
Chris Snyder
Costume Design:
Jeffrey Kurland
Costume Supervisor:
Elaine Ramires
Craft Service:
Charles Drake
Dialect Coach:
Carla Meyer
Dialogue Editor:
Aaron Glascock
Digital Compositors:
Mark Tait Lewis
Director:
Steven Soderbergh
Director of Photography:
Edward Lachman
Dolby Consultant:
Mark Kenna
Dolly Grip:
Paul Threlkeld
Driver:
Loren Bess
Editor:
Anne V. Coates
Electrician:
Gary M. Lang
John Owens
Executive Producer:
Carla Santos Shamberg
John Hardy
Extras Casting:
Rich King
First Assistant Accountant:
Cheri Hall
First Assistant Camera:
Barry Idoine
First Assistant Editor:
Robb Sullivan
Foley:
Alicia Stevenson
Dawn Fintor
Foley Artist:
Dawn Fintor
Foley Mixer:
David Betancourt
Foley Recordist:
Jon Vogl
Gaffer:
Russ Caldwell
Greensman:
Richard Boris
Grip:
Thomas A. Curran
Charles John Bukey
Hair Department Head:
Deborah Mills-Whitlock
Hair Designer:
Bonnie Clevering
Hairstylist:
Anthony Wilson
Bernard Gough
Michelle Weiss
Key Costumer:
Janis Mekaelian
Leadman:
Jason Bedig
Location Manager:
Ken Lavet
Makeup Artist:
Richard Dean
Music Consultant:
Buck Damon
Music Editor:
Bill Bernstein
Music Supervisor:
Amanda Scheer-Demme
Negative Cutter:
Gary Burritt
Orchestrator:
Thomas Pasatieri
Original Music Composer:
Thomas Newman
Painter:
Scott Shordon
Payroll Accountant:
Jim Swidarski
Post Production Assistant:
Monica de Armond
Post Production Supervisor:
Caitlin Maloney
Producer:
Danny DeVito
Stacey Sher
Michael Shamberg
Production Accountant:
Ricki L. Stein
Production Assistant:
Brett Brown
Production Coordinator:
Robin Le Chanu
Production Design:
Philip Messina
Production Intern:
Taina Mirach
Production Secretary:
J. Larsen Jay
Production Sound Mixer:
Thomas Causey
Production Supervisor:
James C. Taylor
Projection:
Thomas S. Dickson
Property Master:
Peter Bankins
Propmaker:
John Bullard
Prosthetics:
Gary Archer
Rigging Gaffer:
Richard Hartley
Rigging Grip:
Randy Berrett
Scoring Mixer:
Dennis S. Sands
Script Supervisor:
Annie Welles
Second Assistant Camera:
Isaac Friedman
Second Assistant Director:
David Hallinan
Second Second Assistant Director:
Michael Risoli
Security:
Joseph Keideth
Set Costumer:
Shoshana Rubin
Fran Vega-Buck
Corey Bronson
Emily Wyss
Set Decoration:
Kristen Toscano Messina
Set Designer:
Masako Masuda
Patricia Klawonn
Set Dresser:
Mike Malone
Set Dressing Artist:
Dale E. Anderson
Set Medic:
Harold Fowler
Set Painter:
Thomas Moffitt
Set Production Assistant:
Keri Bruno
Sound Re-Recording Mixer:
Michael Keller
Larry Blake
Sound Recordist:
Eric Flickinger
Special Effects:
Kevin Hannigan
Special Effects Assistant:
Werner Hahnlein
Stand In:
Marc C. Geschwind
Standby Painter:
Francis N. 'Lucky' Costello
Still Photographer:
Bob Marshak
Studio Teachers:
Thomas John McGowan
Stunt Coordinator:
John Robotham
Stunt Double:
Tabby Hanson
Roydon Clark
Stunt Driver:
Steve Kelso
Rick Avery
Stunts:
Joni Avery
Supervising Sound Editor:
Larry Blake
Swing:
Erin Boyd
Tattoo Designer:
Ken Diaz
Textile Artist:
Niamh Murphy
Transportation Captain:
Shane Greedy
Transportation Co-Captain:
Rich Bennetti
Transportation Coordinator:
Jon Carpenter
Unit Production Manager:
Frederic W. Brost
Unit Publicist:
Spooky Stevens
Utility Sound:
Richard Kite
Visual Effects Producer:
Carole Cowley
Visual Effects Supervisor:
Thomas J. Smith
Writer:
Susannah Grant
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.