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S.W.A.T.: Under Siege (2017) [R]

Release Date:
August 1, 2017

Original Title:
S.W.A.T.: Under Siege

Alternate Titles:
Lực Lượng Chống Khủng Bố
S W A T - Sotto Assedio
S W A T Under Siege
S.W.A.T. Operação Escorpião
SWAT Under Siege
Спецназ: В облозі
Спецпризначенці: В облозі
특수기동대 3: 언더 시즈

Genres:
Action | Crime | Thriller

Production Companies:
Original Film

Production Countries:
United States of America

Ratings / Certifications:
DE: 16  NL: 16  US: R 

Runtime: 89

Overview from TheMovieDB

When a D.E.A. and S.W.A.T. cartel takedown ends in a shootout, S.W.A.T. Agent Travis Hall seizes a mysterious prisoner taking him into custody. Before long, the S.W.A.T. compound is under siege by wave-after-wave of assault teams attempting to recover the prisoner known as “The Scorpion” for the tattoo blazed across his back. When Travis discovers that his prisoner is a Secret Ops double agent planted within the cartel, it’s up to him and his expert S.W.A.T. team to keep “The Scorpion” and his billion dollar secrets safe.

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Production

"A" Camera Operator:
Andrew Coppin

"B" Camera Operator:
Andrew Capicik

Best Boy Grip:
Nonda Speaks

Camera Trainee:
Nicholas Pallone

Casting:
Candice Elzinga

Cinematography:
Michael Balfry

Costume Design:
Andrea Desroches

Data Management Technician:
Filip Dobosz

Director:
Tony Giglio

Dolly Grip:
Stan Goetz

Editor:
Charles Robichaud

Executive Producer:
Jonas Barnes

First Assistant "A" Camera:
Shane McLeod

First Assistant "B" Camera:
Jesse Vance

Key Grip:
John Scavarda

Original Music Composer:
Patric Caird

Producer:
Greg Malcolm
Neal H. Moritz
Vicki Sotheran

Second Assistant "A" Camera:
Marcus Fung

Second Assistant "B" Camera:
Henry Zhao

Set Decoration:
Justin Wright

Steadicam Operator:
Andrew Capicik

Still Photographer:
Ed Araquel

Stunt Coordinator:
Brett Armstrong

Stunts:
Jason Bell

Writer:
Jonas Barnes
Keith Domingue

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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

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  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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