A work in constant progress (and occasional regress).
Release Date:
October 7, 1995
Original Title:
マクロス7 銀河がオレを呼んでいる!
Alternate Titles:
Macross 7: Ginga ga Ore o Yonde Iru
Macross 7: The Movie
マクロス7 -銀河がオレを呼んでいる!-
超时空要塞7:银河在呼唤我
극장판 마크로스 7 은하가 나를 부른다!
극장판 마크로스7 은하가 나를 부른다!
마크로스 7 극장판: 은하가 나를 부른다!
마크로스7 : 은하가 나를 부른다!
마크로스7 극장판 은하가 나를 부른다!
Genres:
Action | Animation | Music | Science Fiction
Production Companies:
Ashi Productions
Bandai Visual
Big West
Shogakukan-Shueisha Productions
Studio Nue
Production Countries:
Japan
Ratings / Certifications:
AU: PG KR: 15
Runtime: 37
Basara, on one of his frequent trips across the galaxy to spread the message of his music, folds in on an icy planet. The natives are hostile, and take him prisoner until he begins to sing for them and a little boy named Pedro recognizes his voice. They release Basara, and almost as soon as they don, a strange wailing voice comes from the nearby mountains. Basara and Pedro head out in Basara's valkyrie to investigate the noise. Little do they know, an ambush is waiting for them.
Art Direction:
Toshihisa Koyama
Character Designer:
Ken'ichirou Katsura
Haruhiko Mikimoto
Makoto Koga
Creator:
Shoji Kawamori
Director:
Masami Shimoda
Tetsuro Amino
Key Animation:
Tomomi Shimazaki
Shoji Yabushita
Koichi Hatsumi
Takaaki Fukuyo
Keiji Tani
Toshiaki Miki
Katsuyuki Tamura
Yoshihiro Sugai
Tomohiro Kawahara
Toshiyuki Inoue
Yasunari Nitta
Tokuyuki Matsutake
Munenori Nawa
Satoshi Toyoda
Yasuhiro Namatame
Jun Takagi
Michinori Chiba
Ichiro Itano
Hideki Hosokawa
Tatsuo Kamiuto
Jun Takagi
Noriyuki Kitanohara
Kazuki Toi
Masaru Hyodo
Junichi Hayakawa
Yoshihiro Nagamori
Yasuhiro Takemoto
Mechanical Designer:
Kazutaka Miyatake
Shoji Kawamori
Original Story:
Shoji Kawamori
Screenplay:
Shoji Kawamori
Sound Director:
Yasunori Honda
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.