A work in constant progress (and occasional regress).
Release Date:
September 28, 1967
Original Title:
Pero… ¡en qué país vivimos!
Alternate Titles:
Pero... en qué país vivimos
Pero… ¿en qué país vivimos?
Ritmuri spaniole
Genres:
Comedy
Production Companies:
Arturo González PC
Production Countries:
Spain
Ratings / Certifications:
ES: A
Runtime: 98
Antonio Torres, a serious singer of Spanish popular music, and Bárbara, a vivacious yé-yé singer, face off in a chaotic contest promoted by Rodolfo Sicilia, an overworked publicist.
Assistant Camera:
Isidro Muro
Assistant Decorator:
Rafael Pérez Murcia
Assistant Director:
Francisco Ariza
Assistant Editor:
José Luis Berlanga
Camera Operator:
Salvador Gil
Dialogue:
José Luis Sáenz de Heredia
José María Palacio
Director:
José Luis Sáenz de Heredia
Director of Photography:
Alfredo Fraile
Editor:
Antonio Ramírez de Loaysa
Executive Producer:
Alfredo Fraile
Makeup Artist:
Juana Culell
Manolita Novoa
Orchestrator:
Adolfo Ventas
Original Music Composer:
Gregorio García Segura
Producer:
Arturo González
Production Assistant:
Félix Moreno
Production Design:
Ramiro Gómez
Production Director:
Norberto Soliño
Property Master:
Eugenio Villar
Ángel Córdoba
Screenplay:
José Luis Sáenz de Heredia
José María Palacio
Screenstory:
José Luis Sáenz de Heredia
José María Palacio
Script Supervisor:
Carmen Salas
Seamstress:
Victoria Ayllón
Set Decoration:
Ramiro Gómez
Songs:
Augusto Algueró
Antonio Guijarro
Juan Gabriel García Escobar
Alejandro Cintas
Carlos Castellanos Gómez
Alfonso Jofre de Villegas
Maestro Jaén
Manuel Peralta
Manuel Monreal
Still Photographer:
Víctor Benítez
Wardrobe Supervisor:
Humberto Cornejo
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.