A work in constant progress (and occasional regress).
Release Date:
May 25, 2017
Original Title:
Madraza
Genres:
Action | Crime | Drama | Thriller
Production Companies:
Aeroplano Cine
Cine Argentino
INCAA
Kozen Films
Production Countries:
Argentina
Ratings / Certifications:
N/A
Runtime: 94
A humble housewife becomes an assassin for money, gaining self-confidence and rebuilding her life.
Assistant Camera:
Juliana González
Assistant Location Manager:
Matias Chillier
Flor Dominguez
Associate Producer:
Christian Bibes
Nacho Mazzini
Best Boy Electric:
Walter Saavedra
Camera Operator:
Hernán Aguilar
Marcelo Lavintman
Casting Assistant:
Julia Gesteira
Costume Design:
Laura Donari
Dialogue Editor:
Lucas Meyer
Digital Compositor:
Maxi Gomez
Leonardo Quartieri
Digital Imaging Technician:
Marcelo Aníbal Scoppa
Director:
Hernán Aguilar
Director of Photography:
Marcelo Lavintman
Editor:
Hernán Aguilar
Anabela Lattanzio
Electrician:
Leandro Fessia
Federico Olsina
Executive Producer:
Sergio Teubal
First Assistant Camera:
Ivan Insausti
Foley Artist:
Miren Begoña Cortazar
Foley Mixer:
Leyla de la Hoz
Gaffer:
Sebastián Mendelberg
Grip:
Enrique Vélez
Key Grip:
Ariel Vélez
Location Manager:
Marcelo Martinez
Makeup Artist:
Beata Wójtowicz
Original Music Composer:
Guillermo Guareschi
Producer:
Javier Fernando Entelman
Sebastian Aloi
Hernán Aguilar
Production Design:
Roberto Samuelle
Production Director:
Sebastián Perillo
Production Manager:
Matías Tamborenea
Screenplay:
Hernán Aguilar
Second Assistant Camera:
Mariano Bonello
Second Assistant Director:
Agostina Guala
Set Decoration:
Maria José Moroni
Sound Effects Editor:
Flavio Nogueira
Sound Re-Recording Mixer:
Diego Gat
Lucas Meyer
Sound Recordist:
Juan José Suárez
Special Effects Coordinator:
Franco Burattini
Special Effects Supervisor:
Alberto Jaceniuk
Supervising Sound Editor:
Diego Gat
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.