A work in constant progress (and occasional regress).
Release Date:
January 1, 1994
Original Title:
Khalil, Shaun, A Woman Under the Influence
Ratings / Certifications:
N/A
Runtime: 16
Sharon Lockhart's debut film from 1994 is divided into three parts. All parts are linked in showing the progression of a devastating skin disease of two ten-year-old boys which is successively revealed to be the progression of a skilfully applied special effects make-up. Shot against coloured backdrops, the first sections show portraits of the boys who are introduced by preceding titles as Khalil and Shaun. The third section is a dramatic sequence based on one of the last scenes in John Cassavetes's film A Woman Under the Influence (1974). Lockhart refrains from reproducing the scene literally. Instead, she places and collapses several moments into one, amplifying the main theme of the film - the attempt to pretend that everything is okay. Shaun is presented with his face horribly disfigured by blisters and wounds. His mother's pledges of future happiness thus become rather ominous.
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.