A work in constant progress (and occasional regress).
Release Date:
October 9, 2009
Original Title:
Barbarossa
Alternate Titles:
Barbarossa - Klątwa Przepowiedni
Barbarossa: Siege Lord
Sword of War
Мечът на войната
Genres:
Drama | History
Production Companies:
Martinelli Film Company International
MiC
Na-Comm
RAI
Production Countries:
Italy
Ratings / Certifications:
DE: 16 IT: T
Runtime: 139
Year 1100. Italy.The Northern lands are ruled by a German emperor: Fredrick aka "Barbarossa. His dream is to conquer also the lands in the Center and in the South so as to revive the Empire that was once of the one Charles Magno.But in the North a young man from Milan has formed an army of 900 young men coming from different cities: the "company of death". This young man's name is Alberto Da Giussano. His dream is to defeat the Emperor and to give back freedom to the Northern lands.
ADR & Dubbing:
Dave Tinsley
ADR Recordist:
Jean McGrath
Art Department Coordinator:
Simona Ursu
Art Direction:
Ioana Corciova
Doina Repanovici
Assistant Costume Designer:
Carmen Moldovan
Tiziana Recopero
Assistant Editor:
Shara Spinella
Assistant Hairstylist:
Elena Tudor
Assistant Makeup Artist:
Cristina Adam
Corina Căldăraru
Best Boy Grip:
Marian Pisan
Boom Operator:
Doru Popescu
Camera Loader:
Vlad Cioplea
Casting:
Luca Confortini
Floriela Grapini
Colorist:
Andrea Baracca
Compositing Supervisor:
Giulia Infurna
Construction Coordinator:
Crina Cartos
Costume Design:
Massimo Cantini Parrini
Costume Supervisor:
Ioana Albaiu
Dialogue Editor:
Dave Tinsley
Digital Compositor:
Cristiano Graziani
Armando Lombardo
Luca Gabriele Rossetti
Marco Geracitano
Director:
Renzo Martinelli
Director of Photography:
Fabio Cianchetti
Draughtsman:
Decebal Nisipeanu
Cristian Popescu
Liviu Stanciulescu
Editor:
Osvaldo Bargero
Electrician:
Laurentiu Bogatu
Daniel Ciobanu
Leonardo Fanone
Extras Casting:
Laura Grosu
Liliana Toma
Extras Casting Assistant:
Doroftei Anis
First Assistant Camera:
Michele Nassuato
First Assistant Director:
Carlo Paramidani
Ovidiu Paunescu
First Assistant Editor:
Paolo Buzzetti
Marina Verri
Focus Puller:
Alessio Bastianelli
Foley Artist:
Italo Cameracanna
Enzo Diliberto
Gaffer:
Calin Constantin
Hair Designer:
Angelo Vannella
Hairstylist:
Elisabeta Dancescu
Doina Popa
Clara Tudose
Key Grip:
Marian Ene
Pietro Fabbri
Key Hair Stylist:
Angelo Vannella
Key Makeup Artist:
Gabi Cretan
Leadman:
Laurentiu Zarnoianu
Line Producer:
Riccardo Pintus
Location Manager:
Mihai Mitrea
Makeup Designer:
Maurizio Trani
Matte Painter:
Fabio Barretta
Music:
Aldo De Scalzi
Pivio
Painter:
Mihai Stanciu
Producer:
Renzo Martinelli
Production Accountant:
Monica Dorlea
Production Coordinator:
Nicoletta Fusè
Amalia Morar
Production Design:
Rossella Guarna
Production Manager:
Davide Lamberti
Marian Pascale
Property Master:
Marius Stanescu
Researcher:
Federico Rossi di Marignano
Scenic Artist:
Eusebiu Sirbu
Screenplay:
Renzo Martinelli
Giorgio Schottler
Anna Samueli
Script Supervisor:
Mariana Lina
Seamstress:
Amelia Tataru
Second Assistant Camera:
Constantin Stan
Romulus Stancescu
Zina Razvan
Set Costumer:
Carmen Ilie
Set Decoration:
Andreea Popa
Sound Designer:
Paolo Amici
Sound Effects Editor:
Daniele Quadroli
David Quadroli
Fabrizio Quadroli
Sound Mixer:
Nicolae Radu
Sound Re-Recording Mixer:
Francesco Tumminello
Michele Gualdrini
Special Effects Supervisor:
Lucian Iordache
Special Effects Technician:
Viorel Militaru
Florin Stoian
Steadicam Operator:
Stefan Mangir
Still Photographer:
Andrea Chisesi
Cos Aelenei
Story:
Giorgio Schottler
Stunt Coordinator:
Razvan Puiu
Stunts:
Nestianu Dan
Vlad Iacob
Mihai Iliescu
Supervising Sound Editor:
Dave Tinsley
Title Designer:
Alessandro Salomone
Transportation Coordinator:
Vali Georgescu
Underwater Camera:
Bálint Seress
Visual Effects Coordinator:
Federica Nisi
Visual Effects Supervisor:
Stefano Marinoni
Paola Trisoglio
Wardrobe Assistant:
Elena Dodita
Wardrobe Supervisor:
Ioana Albaiu
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.