A work in constant progress (and occasional regress).
Release Date:
May 18, 2017
Original Title:
Nadie nos mira
Alternate Titles:
Ninguém Está Olhando
Genres:
Drama
Production Companies:
Aleph Motion Pictures
CEPA Audiovisual
La Panda
Madlove
Taiga Filmes
Production Countries:
Argentina | Brazil | Colombia | Spain | United States of America
Ratings / Certifications:
CH: 16
Runtime: 102
Nico is a famous actor in Argentina, but in New York, nobody takes notice. He needs to juggle bartending, babysitting and odd jobs to keep himself afloat. But when old friends from Buenos Aires come to visit, he needs to juggle the image of his old life with the reality of the struggling actor in New York City.
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Acting Double:
Gregorio Franchetti
Art Direction:
Mar Urrestarazu
Assistant Editor:
Dahlia Fischbein
Associate Producer:
Elisa Bellmann
Galia Solomonoff
Lauren Versel
Marcela Luchetta
Co-Producer:
Isabel Coixet
Jana Diaz Juhl
Georges Schoucair
Daniel Chabannes
Juan Perdomo
Corentin Senechal
Pau Brunet
Dialogue Coach:
Diego Daniel Pardo
Dialogue Editor:
Rafael Millán
Director:
Julia Solomonoff
Director of Photography:
Lucio Bonelli
Editor:
Pablo Barbieri Carrera
Karen Sztanjberg
Andrés Tambornino
Executive Producer:
Maria Teresa Arida
Felicitas Raffo
Julia Solomonoff
First Assistant Director:
Kate Branom
Post Production Coordinator:
Julián Giulianelli
Producer:
Felicitas Raffo
Production Coordinator:
Lara Costa Calzado
Production Design:
Maite Pérez-Nievas
Production Director:
Pamela Livia Delgado
Production Sound Mixer:
Alejandro Fábregas
Second Assistant Director:
Monica Palmieri
Songs:
Sami Buccella
Sound Designer:
Lena Esquenazi
Sound Effects Editor:
Lena Esquenazi
Unit Production Manager:
Alvaro R. Valente
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.