A work in constant progress (and occasional regress).
Release Date:
April 21, 2017
Original Title:
Hoy partido a las tres
Alternate Titles:
Hoy partido a las 3
오후 세 시 축구경기
Genres:
Drama
Production Companies:
Dirección de Cine y Espacio Audiovisual
Fondo Nacional de las Artes
Universidad Nacional de las Artes
Universidad Nacional del Nordeste
Yagua Pirú Cine
Production Countries:
Argentina | Paraguay
Ratings / Certifications:
N/A
Runtime: 96
Las Indomables await with anxiety the start of a neighborhood women's soccer tournament. During the wait all kinds of events happen, love, conflicts, politics and even a rain, stalk the passion for which they are there: Play football at all costs
Assistant Director:
Lucas Gabriel Olivares
Associate Producer:
Lucía Lamboley
Camera Operator:
Armin Marchesini Weihmuller
Casting Assistant:
Lucas Carmagnola
Mariana Repetto
Casting Coordinator:
Ana Carolina García
Casting Producer:
Maia Navas
Cinematography:
Armin Marchesini Weihmuller
Co-Executive Producer:
Alejandra Muñoz
Co-Producer:
Fran Villalba
Color Grading:
Daniela Medina Silva
Continuity:
Emanuel Leguizamón
Costume Design:
María Silvia Canteros
Dialogue Editor:
Cristian Damián Cochia
Director:
Clarisa Navas
Editor:
Sofia Viglioglia
Sebastián Frota
Electrician:
Emanuel Leguizamón
Executive Producer:
María Laura Buslemen
First Assistant Camera:
Sofia Fontenla
Focus Puller:
Sofia Fontenla
Foley:
Cristian Damián Cochia
Gaffer:
Agustín Boero
Graphic Designer:
Verónica Calabrese
Grip:
Agustín Boero
Music:
Fran Villalba
Post Production Coordinator:
Lucía Lamboley
Producer:
Clarisa Navas
Ana Carolina García
Second Assistant Director:
Ana Carolina García
Sound:
Tani Sotosca
Mercedes Rondina
Sound Assistant:
Cristian Damián Cochia
Sound Re-Recording Mixer:
Lucas Meyer
Still Photographer:
Nadia Aquino
Supervising Producer:
Maia Navas
VFX Supervisor:
Daniela Medina Silva
Alejandro Sorin
Writer:
Clarisa Navas
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.