A work in constant progress (and occasional regress).
Release Date:
January 4, 1998
Original Title:
Devil in the Flesh
Alternate Titles:
Dearly Devoted
El Diablo Tiene Cuerpo de Mujer
Scream & Die
Genres:
Horror | Thriller
Production Companies:
Le Monde Entertainment
Prostar Entertainment
Unapix Entertainment Productions
Production Countries:
United States of America
Ratings / Certifications:
US: R
Runtime: 99
When her mother is killed in a mysterious house fire, rebellious teen Debbie Strand is sent to live with her grandmother, where she becomes even more unhinged. She develops an intense crush on her hunky creative writing teacher, Peter Rinaldi, but her numerous attempts at seduction end in failure. Soon Peter's friends start turning up dead, and he fears that his fiancée, Marilyn, may be Debbie's next victim.
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ADR Editor:
Nancy Lee Bleisch
ADR Mixer:
Eric Hoeschen
ADR Supervisor:
Sarah Brady
Art Direction:
Nathaniel Walters
Assistant Accountant:
Brie San Martino
Assistant Dialogue Editor:
Laurence Puchalsky
Assistant Makeup Artist:
Rebecca Wachtel
Amanda Llewellyn
Assistant Production Coordinator:
Frank E. Errico
Assistant Property Master:
Jason Paul
Best Boy Electric:
Martin Leeper
Bryan Booth
Best Boy Grip:
Courtney G. Jones
W. Ted Mayer
Boom Operator:
Bob Fisher
Camera Loader:
Amy Hoffecker
Kim Cousins
Maida Swensson
Casting:
Aaron Griffith
Color Timer:
Bob Fredrickson
Costume Design:
Lori Jesneck
Costume Supervisor:
Esther Lee
Dialogue Editor:
Bruce Murphy
Director:
Steve Cohen
Director of Photography:
Joseph Montgomery
Editor:
Michael Thibault
Electrician:
Daniel Cronin
Sebastian Amiri
C.B. Smith-Dahl
Charles E. Swanson II
Executive Producer:
Robert E. Baruc
John Fremes
Alicia Reilly Larson
Marc Forby
First Assistant Camera:
Dawn Fleischman
David Goldenberg
Dwight F. Lay
Adam Walderman
Veronica Johnson
First Assistant Director:
Marco Black
Foley Artist:
Monique Reymond
Foley Mixer:
Eric Hoeschen
Gaffer:
Shane Buttle
Grip:
Jonathon Bradley
Chuck Loring
Conner Vandeer
Jeff Miller
Steve Brewer
Key Grip:
David M. Reese
Key Makeup Artist:
Karen Toole-Rentrop
Leadman:
Cullen Lockwood
Line Producer:
Betsy Mackey
Location Assistant:
Greg Archibeque
Location Manager:
Chris Baugh
Makeup Supervisor:
Teresa Vest
On Set Dresser:
Rick Spitznass
Original Music Composer:
Michael Burns
Steve Gurevitch
Post Production Supervisor:
Daniel Voltz
Producer:
Kurt Anderson
Richard Brandes
Production Accountant:
Cloy T. Richards
Production Consultant:
Foster K. Denker
Production Coordinator:
Marjorie Ergas
Production Design:
Anuradha Mehta
Production Manager:
Marco Black
Production Sound Mixer:
Coleman Metts
Property Master:
Greg Huyck
Rigging Gaffer:
Mike Kurtz
Script Supervisor:
Paula Hunziker
Second Assistant Camera:
Damon Montgomery
Second Assistant Director:
Lisa Brookes
Second Second Assistant Director:
Edward Kalpa
Second Unit Director of Photography:
Lawrence Schweich
M. David Mullen
Jonathon Bradley
Set Costumer:
Indira Ione Paschke
Sound Effects Editor:
Jon Meta
Sound Engineer:
Rick MacLane
Sound Re-Recording Mixer:
David Bach
Marty Hutcherson
Bill Montei
Sound Recordist:
Carlos Isais
Special Effects:
Lou Carlucci
James Ochoa
John C. Carlucci
Special Effects Makeup Artist:
Vince Brown
Still Photographer:
Dale Robinette
Story:
Richard Brandes
Kurt Anderson
Stunt Coordinator:
Gary J. Wayton
Stunts:
Julie Michaels
Monica Staggs
Carrick O'Quinn
Swing:
David E. Hart
Transportation Captain:
Dave Rosenburg
Angelo Loffredo
Transportation Coordinator:
Mark A. Melillo
Writer:
Steve Cohen
Kelly Carlin-McCall
Robert McCall
Michael Michaud
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.