A work in constant progress (and occasional regress).
Release Date:
January 16, 2019
Original Title:
The Kid Who Would Be King
Alternate Titles:
Dete koje će postati kralj
Nacido para ser rey
Wenn du König wärst
Çocuk Kral Olacak
Genres:
Action | Adventure | Family | Fantasy
Production Companies:
20th Century Fox
Big Talk Studios
TSG Entertainment
Working Title Films
Production Countries:
United Kingdom
Ratings / Certifications:
BR: L DE: 6 DK: 11 ES: 7 FR: U GB: PG IE: PG JP: PG12 KR: 전체관람가 NL: 9 PL: 12 RO: 12 RU: 12+ SE: 11 SG: PG TW: 保護級 US: PG
Runtime: 120
Old-school magic meets the modern world when young Alex stumbles upon the mythical sword Excalibur. He soon unites his friends and enemies, and they become knights who join forces with the legendary wizard Merlin. Together, they must save mankind from the wicked enchantress Morgana and her army of supernatural warriors.
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"A" Camera Operator:
Jonathan 'Chunky' Richmond
"B" Camera Operator:
Chris Bain
ADR Mixer:
Mark Appleby
ADR Recordist:
Lottie Wade
Art Direction:
Katrina Mackay
Simon Elsley
Jonathan Houlding
Assistant Accountant:
David Blank
Debbie Moseley
Assistant Costume Designer:
Richard Davies
Assistant Production Coordinator:
Chloe Warren
Assistant Sound Editor:
Nina Norek
Associate Producer:
Laura Richardson
Best Boy Electric:
Lee Knight
Best Boy Grip:
Eugene McDonagh
Keith Mead
Camera Loader:
Lisa MacGregor
Camera Trainee:
Ewan Sadler
Casting:
Jessica Ronane
Nina Gold
Concept Artist:
Oscar Wright
Rob Bliss
Conductor:
Matt Dunkley
Construction Coordinator:
Stephanie Gibbins
Construction Manager:
Stuart Watson
Costume Coordinator:
Stephanie Hamilton-Jordan
Costume Design:
Jany Temime
Costume Supervisor:
Martin Mandeville
Dialect Coach:
Jill McCullough
Dialogue Editor:
Matthew Skelding
Digital Imaging Technician:
Jay Patel
Director:
Joe Cornish
Director of Photography:
Bill Pope
Editor:
Jonathan Amos
Paul Machliss
Executive Producer:
Rachael Prior
James Biddle
First Assistant "A" Camera:
Matt Windon
First Assistant "B" Camera:
Russell Kennedy
First Assistant Director:
Richard Graysmark
First Assistant Editor:
Jerry Ramsbottom
Foley Artist:
Ricky Butt
Andrea King
Foley Editor:
Hugo Adams
Sophia Hardman
Foley Mixer:
Adam Mendez
Gaffer:
Eddie Knight
Grip:
Emmet Cahill
Alex Fraser
Ricky Hall
Hair Designer:
Sharon Martin
Key Grip:
Malcolm Huse
Key Hair Stylist:
Claire Burgess
Key Makeup Artist:
Niamh O'Loan
Makeup Designer:
Sharon Martin
Music Supervisor:
Nick Angel
Orchestrator:
Tony Blondal
Mark Baechle
Richard Bronskill
Matt Dunkley
Payroll Accountant:
Rachel Limb
Post Production Coordinator:
Rachael Havercroft
Producer:
Eric Fellner
Tim Bevan
Nira Park
Production Accountant:
Betty Ainslie
Production Coordinator:
Hephzibah Craen
Production Design:
Marcus Rowland
Production Secretary:
Robbie Torbuck
Production Sound Mixer:
Colin Nicolson
Script Supervisor:
Paula Casarin
Second Assistant "A" Camera:
Ian Jackson
Second Assistant "B" Camera:
Harry Gamble
Second Assistant Director:
Fraser Fennell-Ball
Tom Rye
Second Unit Director:
Paul Jennings
Second Unit Director of Photography:
Shaun O'Dell
Second Unit First Assistant Director:
Stewart Hamilton
Set Decoration:
Sara Wan
Sound Designer:
Jeremy Price
Sound Editor:
Luke O'Connell
Sound Effects Editor:
Jed Loughran
Sound Re-Recording Mixer:
Mike Prestwood Smith
Steadicam Operator:
Jonathan 'Chunky' Richmond
Still Photographer:
Kerry Brown
Stunt Coordinator:
Peter White
Paul Jennings
Stunt Double:
Elizabeth Donker Curtius
Stunts:
Tolga Kenan
Supervising Art Director:
Nigel Evans
Third Assistant Director:
Emily Thomas
Unit Publicist:
Claudia Kalindjian
VFX Artist:
Frédéric Gaudin
Visual Effects Editor:
Henry Kemplen
Visual Effects Supervisor:
Frazer Churchill
Writer:
Joe Cornish
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.