A work in constant progress (and occasional regress).
Featuring:
Karl Formes, Henry B. Walthall, Mary Alden
Written by:
John Emerson
Henrik Ibsen
Russell E. Smith
Directed by:
George Nichols, John Emerson
Release Date:
May 31, 1915
Original Title:
Ghosts
Alternate Titles:
The Curse
Genres:
Drama
Production Companies:
Majestic Motion Picture Company
Mutual Film Corporation
Production Countries:
United States of America
Ratings / Certifications:
N/A
Runtime: 58
Captain Alving, a notorious rake and financially irresponsible, seeks wealthy heiress Helen's hand in marriage. The family doctor protests to the marriage, on the grounds of Alving's hereditary illness, but both parties disregard all warnings; Urged on by her ambitious parents, Helen marries Alving. Later Helen discovers a liaison between her husband and a young, married woman. Soon the sins of the father are visited upon all members of the Alving clan. Based on Henrik Ibsen's play.
Helen and Manders are in love and wish to marry. Her parents object to his poverty and want her to marry Alving, a notorious rake, who is wealthy and powerful. Manders protests. The family physician also objects because of the result such a match would mean on the children, but Helen's parents laugh at these new-fangled notions. The doctor then appeals to Alving, who laughs him to scorn. Urged on by her parents, ambitious Helen, disregarding all warnings, marries Alving. Later Helen discovers a liaison between her husband and a young married woman. She contemplates leaving her husband and seeks her physicians advice, but he declines to give it. She then sees her pastor, who advises her to adhere to convention and her husband. Meanwhile, the young married woman gives birth to a child by Alving, and the physician agrees to bring the father to see it and keep the real parentage secret. Helen also bears a boy named Oswald. When Oswald is nine, Alving dies, a victim of his excesses. Oswald lives a clean life and studies art, but at times his mind seems affected. The mother remembers the doctor's warnings, but rejects them as silly. Knowing the boy has lived a clean life, however, she soon comes to accept the physician's predictions as fact, and schemes to save her son by marrying him to a sweet young girl. She picks out the daughter of her husband's paramour, and, totally unaware of the girl's parentage, draws the two young people together. They fall deeply in love and when their engagement is announced the physician feels duty-bound to tell Oswald the truth, and does so. Realizing that he must protect the girl he loves and embittered by his inheritance, Oswald plunges into mad excesses which estrange his fiancée. He grows to hate his father and then his mother for the past they have embedded in his nature, and his mother slowly realizes the truth of the physician's predictions. Horror stricken, she watches the gradual rotting of her son's brain. The girl, meanwhile, has retired to a convent. Against the oncoming insanity, Oswald fortifies himself with poison, but one day his mother finds him sitting on the floor, paralyzed, playing with the sunbeams, and runs for the doctor. During her absence, he succeeds in reaching the poison and mother and physician find him dead. As her only hope of consolation, the mother turns to the physician.
Assistant Director:
George Siegmann
Director:
George Nichols
John Emerson
Producer:
D.W. Griffith
Technical Advisor:
Erich von Stroheim
Theatre Play:
Henrik Ibsen
Wardrobe Assistant:
Erich von Stroheim
Writer:
Russell E. Smith
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