Ghosts (1915) [N/A]

Featuring:
Karl Formes, Henry B. Walthall, Mary Alden

Written by:
John Emerson
Henrik Ibsen
Russell E. Smith

Directed by:
George Nichols, John Emerson


Release Date:
May 31, 1915

Original Title:
Ghosts

Alternate Titles:
The Curse

Genres:
Drama

Production Companies:
Majestic Motion Picture Company
Mutual Film Corporation

Production Countries:
United States of America

Ratings / Certifications:
 N/A

Runtime: 58

A wonderful Mutual masterpiece in five acts

Captain Alving, a notorious rake and financially irresponsible, seeks wealthy heiress Helen's hand in marriage. The family doctor protests to the marriage, on the grounds of Alving's hereditary illness, but both parties disregard all warnings; Urged on by her ambitious parents, Helen marries Alving. Later Helen discovers a liaison between her husband and a young, married woman. Soon the sins of the father are visited upon all members of the Alving clan. Based on Henrik Ibsen's play.

Helen and Manders are in love and wish to marry. Her parents object to his poverty and want her to marry Alving, a notorious rake, who is wealthy and powerful. Manders protests. The family physician also objects because of the result such a match would mean on the children, but Helen's parents laugh at these new-fangled notions. The doctor then appeals to Alving, who laughs him to scorn. Urged on by her parents, ambitious Helen, disregarding all warnings, marries Alving. Later Helen discovers a liaison between her husband and a young married woman. She contemplates leaving her husband and seeks her physicians advice, but he declines to give it. She then sees her pastor, who advises her to adhere to convention and her husband. Meanwhile, the young married woman gives birth to a child by Alving, and the physician agrees to bring the father to see it and keep the real parentage secret. Helen also bears a boy named Oswald. When Oswald is nine, Alving dies, a victim of his excesses. Oswald lives a clean life and studies art, but at times his mind seems affected. The mother remembers the doctor's warnings, but rejects them as silly. Knowing the boy has lived a clean life, however, she soon comes to accept the physician's predictions as fact, and schemes to save her son by marrying him to a sweet young girl. She picks out the daughter of her husband's paramour, and, totally unaware of the girl's parentage, draws the two young people together. They fall deeply in love and when their engagement is announced the physician feels duty-bound to tell Oswald the truth, and does so. Realizing that he must protect the girl he loves and embittered by his inheritance, Oswald plunges into mad excesses which estrange his fiancée. He grows to hate his father and then his mother for the past they have embedded in his nature, and his mother slowly realizes the truth of the physician's predictions. Horror stricken, she watches the gradual rotting of her son's brain. The girl, meanwhile, has retired to a convent. Against the oncoming insanity, Oswald fortifies himself with poison, but one day his mother finds him sitting on the floor, paralyzed, playing with the sunbeams, and runs for the doctor. During her absence, he succeeds in reaching the poison and mother and physician find him dead. As her only hope of consolation, the mother turns to the physician.

Additional information:

The Search Form


Rankings and Honors

Ghosts (1915) on IMDb
Internet Movie Database 5.6/10

Assistant Director:
George Siegmann

Director:
George Nichols
John Emerson

Producer:
D.W. Griffith

Technical Advisor:
Erich von Stroheim

Theatre Play:
Henrik Ibsen

Wardrobe Assistant:
Erich von Stroheim

Writer:
Russell E. Smith

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.