A work in constant progress (and occasional regress).
Release Date:
May 29, 2010
Original Title:
The Special Relationship
Alternate Titles:
Különleges kapcsolat
Genres:
Drama | History | TV Movie
Production Companies:
BBC Film
HBO Films
Production Countries:
United Kingdom | United States of America
Ratings / Certifications:
DE: 12 US: NR
Runtime: 93
A dramatisation that follows Tony Blair's journey from political understudy waiting in the wings of the world arena to accomplished prime minister standing confidently in the spotlight of centre stage. It is a story about relationships, between two powerful men (Blair and Bill Clinton), two powerful couples, and husbands and wives.
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ADR Editor:
Darren King
Conor Mackey
ADR Mixer:
Mark Appleby
Kath Pollard
Nick Foley
Art Department Assistant:
James M. Spencer
Art Direction:
Dean Clegg
Assistant Costume Designer:
Charlotte Wiseman
Assistant Editor:
Sascha Dhillon
Assistant Location Manager:
Rebecca Chambers
Assistant Production Coordinator:
Emma Mallett
Best Boy Electric:
Chris Mortley
Camera Operator:
Cosmo Campbell
Carpenter:
Gary Hedges
Casting:
Nina Gold
Casting Assistant:
Kharmel Cochrane
Clapper Loader:
Max Glickman
Glenn Coulman
Abigail Catto
Tristan Haley
Conductor:
Alexandre Desplat
Construction Manager:
Stephen Hargreaves
Costume Design:
Consolata Boyle
Costume Supervisor:
Marion Weise
Dialogue Coach:
Penny Dyer
Director:
Richard Loncraine
Director of Photography:
Barry Ackroyd
Editor:
Melanie Oliver
Executive Producer:
Frank Marshall
Christine Langan
Kathleen Kennedy
Andy Harries
Peter Morgan
Extras Casting:
Lesley Gogarty
First Assistant Director:
Michael Elliott
Focus Puller:
Oliver Driscoll
Peter Byrne
Kurt Parlow
Foley Artist:
Ruth Sullivan
Jack Stew
Ricky Butt
Foley Editor:
Alex Joseph
Foley Recordist:
Mark Lafbery
Gaffer:
Harry Wiggins
Graphic Designer:
Hannah Capron
Grip:
James Ray Leary
Key Grip:
Nick Ray
Key Hair Stylist:
Tapio Salmi
Key Makeup Artist:
Tapio Salmi
Location Manager:
Martin Joy
Makeup & Hair:
Ameneh Mahloudji
Beverley Binda
Angharad Barry
Xanthia White
Molly Grayson
Sarah Grispo
Music Coordinator:
Janet Lopez
Music Editor:
Gerard McCann
Original Music Composer:
Alexandre Desplat
Pilot:
Ron Walker
Post Production Supervisor:
Jeanette Haley
Producer:
Tracey Scoffield
Frank Doelger
Production Accountant:
Maggie Phelan
Production Assistant:
Alex Molden
Production Coordinator:
Polly Hope
Production Design:
Maria Djurkovic
Production Sound Mixer:
Ray Beckett
Property Master:
Chris Cull
Rigging Gaffer:
Dominic Seal
Script Supervisor:
Jenny Reid
Second Assistant Director:
Anthony Wilcox
Set Decoration:
Tatiana Macdonald
Sound Re-Recording Mixer:
Tim Cavagin
Steve Single
Special Effects Supervisor:
Paul Dunn
Standby Art Director:
Rosanna Westwood
Still Photographer:
Nicola Dove
Storyboard Artist:
John Greaves
Supervising Art Director:
Tom Brown
Supervising Sound Editor:
Alastair Sirkett
Andy Shelley
Third Assistant Director:
Zoe Liang
Transportation Captain:
Clive Miles
Unit Production Manager:
Elena Zokas
Visual Effects Producer:
Piers Hampton
Visual Effects Supervisor:
Mark Nelmes
Wardrobe Master:
Sue Casey
Writer:
Peter Morgan
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.