A work in constant progress (and occasional regress).
Release Date:
November 7, 2018
Original Title:
Un amour impossible
Alternate Titles:
An Impossible Love
Eine unmögliche Liebe
Un amour impossible
Genres:
Drama | History | Romance
Production Companies:
Artémis Productions
CHAZ Productions
France 3 Cinéma
Le Pacte
Production Countries:
Belgium | France
Ratings / Certifications:
BR: 14 FR: U HK: III IE: 15 KR: 18
Runtime: 135
A chronicle of the unconditional love between a mother and her daughter, from 1958 to the present day, which is endangered by an unsteady and manipulative father.
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Assistant Art Director:
Thomas Salabert
Assistant Property Master:
Julia Holtmann
Associate Producer:
Philippe Logie
Casting:
Sarah Teper
Casting Associate:
Cécile Mille
Co-Producer:
Serge Hayat
Patrick Quinet
Anne-Laure Labadie
Jean Labadie
Construction Coordinator:
Delphine Houdas
Costume Design:
Virginie Montel
Dialogue Editor:
Rosalie Revoyre
Director:
Catherine Corsini
Director of Photography:
Jeanne Lapoirie
Editor:
Frédéric Baillehaiche
First Assistant Director:
Xiaomi Thomas
Foley Editor:
Lucien Richardson
Graphic Designer:
Georges Kafian
Key Grip:
Paul-Claude Bessière
Novel:
Christine Angot
Original Music Composer:
Grégoire Hetzel
Producer:
Elisabeth Perez
Production Design:
Toma Baquéni
Production Manager:
Christophe Grandière
Production Secretary:
Delphine Gozzo
Property Master:
Dominique Coste
Screenplay:
Catherine Corsini
Laurette Polmanss
Sound Editor:
Benoît Hillebrant
Sound Re-Recording Mixer:
Christophe Vingtrinier
Still Photographer:
Stéphanie Branchu
Storyboard Artist:
Marie Eynard
Stunt Coordinator:
Laurent Mulot
Stunts:
Gérard Kuhnl
Eric Tatin
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.