A work in constant progress (and occasional regress).
Release Date:
February 7, 2018
Original Title:
Jusqu'à la garde
Alternate Titles:
Allt för min son
Custodia Compartida
Custody
Jeszcze nie koniec
KP18: Sūnaus globa
L'affido - Una storia di violenza
Nach dem Urteil
Velayet
Опекунство
아직 끝나지 않았다
Genres:
Drama | Thriller
Production Companies:
CNC
Canal+
Ciné+
France 3 Cinéma
France Télévisions
Haut et Court
Hengye Pictures
K.G. Productions
Production Countries:
France
Ratings / Certifications:
CH: 12 FR: U|12 HU: 16 IE: 15 JP: G KR: 15 LT: N-16 NL: 12 PL: 16 SK: 15
Runtime: 93
In the midst of a divorce, Miriam Besson decides to ask for exclusive custody of her son, in order to protect him from a father that she is accusing of violence. The judge-in-charge of the file grants a shared custody to the father whom it considers abused. Taken as a hostage between his parents, Julien Besson will do everything to prevent the worst from happening.
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Assistant Art Director:
Antonin Huet Calafat
Casting:
Estelle Chailloux
Youna De Peretti
Casting Assistant:
Florie Carbonne
Costume Design:
Laurence Forgue Lockhart
Director:
Xavier Legrand
Director of Photography:
Nathalie Durand
Editor:
Yorgos Lamprinos
First Assistant Camera:
Aurélien Py
First Assistant Director:
Marie Doller
Gaffer:
Sophie Lelou
Hairstylist:
Noa Yehonatan
Key Grip:
Ahmed Zaoui
Key Makeup Artist:
Isabelle Vernus
Location Scout:
Michel Degrange
Makeup Artist:
Noa Yehonatan
Music Supervisor:
Thibault Deboaisne
Producer:
Alexandre Gavras
Production Design:
Jérémie Sfez
Production Manager:
Christine Moarbes
Script Supervisor:
Anne Fromm
Set Decoration:
Emilie Ferrenq
Sound Editor:
Julien Roig
Sound Engineer:
Julien Sicart
Sound Re-Recording Mixer:
Vincent Verdoux
Julien Roig
Visual Effects Supervisor:
Arnaud Chelet
Writer:
Xavier Legrand
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.