A work in constant progress (and occasional regress).
Release Date:
April 22, 2017
Original Title:
The Perfect Catch
Alternate Titles:
El partido perfecto
Genres:
Drama | Romance | TV Movie
Production Companies:
Hallmark Media
Storybox Entertainment
Production Countries:
United States of America
Ratings / Certifications:
BR: L
Runtime: 84
When Jessica Parker’s former high school boyfriend, superstar baseball player Chase Taynor, returns to town, she finds the inspiration to reinvent her struggling diner… and revisits the past to find something even better for the future.
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"A" Camera Operator:
Greg Coletti
"B" Camera Operator:
Björn Hermannes
Accountant:
Svatia Sakarova
Art Direction:
Mike Allen
Assistant Costume Designer:
Chanelle Salnikowski
Assistant Editor:
Sandra Nash
Eugen Mihalicka
Assistant Hairstylist:
Amber Snow
Assistant Location Manager:
Brian McWha
Assistant Makeup Artist:
Vanessa Messina
Assistant Production Coordinator:
Audrey Mentz
Ally Caldicott-Levitt
Assistant Sound Editor:
Sean Szutka
Best Boy Electric:
Greg Goudreau
Best Boy Grip:
Ben Herman
Boom Operator:
Eric Weisner
Casting:
Jackie Lind
Penny Perry
Colorist:
Jimmy Hsu
Costume Design:
Tina Fiorda
Costume Set Supervisor:
Christina Sellinger
Dialogue Editor:
Eric Mouawad
Digital Imaging Technician:
Devon Stackhouse
Director:
Steven R. Monroe
Director of Photography:
Tyler Walzak
Dolly Grip:
Austin De Pourcq
Editor:
Kelly Herron
Executive Producer:
Bruce D. Johnson
Extras Casting:
Sara Brown
Extras Casting Assistant:
Rachel Klinosky
First Assistant "A" Camera:
Jordan Dowler-Coltman
First Assistant "B" Camera:
Andrew Marchand-Boddy
First Assistant Director:
Patrick Weir
Foley Artist:
Ian Mackie
Don Harrison
Foley Recording Engineer:
Rick Senechal
Gaffer:
Bryn McCashin
Genetator Operator:
Rik Rohrback
Key Grip:
Connor Thorpe
Key Hair Stylist:
Liz Smith
Key Makeup Artist:
Sandy Cooper
Lead Set Dresser:
Connie Toma
Location Manager:
Clayton Carroll
Music:
Michael Richard Plowman
Music Supervisor:
Sian O'Byrne
Francesca Cammarata
Online Editor:
Cassandra Yaseniuk
Payroll Accountant:
Miranda Eyre
Post Production Coordinator:
Nikki Lee
Post Production Supervisor:
Jason Macintyre
Producer:
Harvey Kahn
Production Accountant:
Kathy Eyre Candiago
Production Controller:
Marnie Termuende
Production Coordinator:
Chidem Alie
Production Design:
Bob Bottieri
Production Manager:
Chris Wilson
Production Sound Mixer:
Tad Nazar
Property Master:
Sarah Roach
Props:
Andrew Grey
Script Supervisor:
Hannah van Dijk
Second Assistant "A" Camera:
Bailey Mills
Second Assistant "B" Camera:
Francis Belanger
Second Assistant Director:
Jorge Orellana
Security Coordinator:
Sean Hanlin
Set Decoration:
La Vonne Girard
Set Dresser:
Ginna Scotto
Sound Designer:
Eva Madden
Sound Editor:
Angelo Nicoloyannis
Sound Re-Recording Mixer:
Angelo Nicoloyannis
Craig George
Still Photographer:
Kailey Schwerman
Story:
Hanz Wasserburger
Studio Teacher:
Tracey Shelley-Lavery
Stunt Coordinator:
Brett Armstrong
Teleplay:
Brian Sawyer
Hanz Wasserburger
Gregg Rossen
Third Assistant Director:
Rob Guthrie
Transportation Captain:
Robert Glen
Transportation Coordinator:
Dean Fitzpatrick
Truck Supervisor:
Mai Truong
Visual Effects Supervisor:
Barry Liu
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.