A work in constant progress (and occasional regress).
Release Date:
April 2, 1983
Original Title:
Santo e Jesus, Metalúrgicos
Alternate Titles:
Santo e Jesus Metalúrgicos
Genres:
Documentary
Production Companies:
Antonio Paulo Ferraz Produções Cinematográficas
Tatu Filmes
Production Countries:
Brazil
Ratings / Certifications:
N/A
Runtime: 57
From its very title, Cláudio Kahns and Antônio Paulo Ferraz's Santo e Jesus, Metalúrgicos is crystal clear about where it stands and about its messianic flair. Through a wordplay with the religious connotation of the names of the two men, murdered during the worker strikes of the late 1970s in São Paulo, it associates sainthood and Christ himself with the working class. That association is reaffirmed throughout the film, from the very beginning, including by a priest. The martyrdom of metalworkers Nelson Pereira de Jesus and Santo Dias da Silva is the starting point to denounce the working conditions faced by factory workers, and the repression which ensues whenever they try to resist them. However, the film also presents us with the 'official' version of the facts, going so far as to feature interviews with the man who killed Nelson. Obviously, it sides with the workers, as it conveys the strength of the oppressed and the impudence of the oppressors.
Additional Photography:
Celso Lucas
Cláudio Kahns
Eduardo Poiano
Roberto Santos Filho
Uli Bruhn
Assistant Editor:
Francisco Magaldi
Mirella Martinelli
Director:
Antonio Paulo Ferraz
Cláudio Kahns
Director of Photography:
Adrian Cooper
Pedro Farkas
Zetas Malzoni
Editor:
Adrian Cooper
Danilo Tadeu
Finishing Producer:
Suzana Villas Boas
Music Director:
Willy Correa de Oliveira
Musician:
Mayra M. de Oliveira Lima
Robert Augusto de Oliveira
Producer:
Cláudio Kahns
Hélio Ferraz
Sound:
Cláudio Kahns
Chico Mou
Uli Bruhn
Lia Camargo
Title Designer:
Sarah Feldman
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