A work in constant progress (and occasional regress).
Release Date:
October 17, 2014
Original Title:
Et gensyn
Alternate Titles:
Second Encounters
Genres:
Drama | Romance
Production Companies:
Beofilm
Det Danske Filmværksted
Wisdom Bell Productions
Production Countries:
Denmark
Ratings / Certifications:
N/A
Runtime: 30
In this tale of second chances, two ex-lovers run into each other in a restaurant. Both are with new partners. Both are unhappy. Both are still in love with the other. Dormant feelings rush to the surface and the opportunity to rekindle the past presents itself. Will the outcome be different?
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Color Timer:
Katrine Sloth
Costume Coordinator:
Maria Dannevang Thomsen
Costume Design:
Elianna Morningstar
Camilla Nordbjerg
Malene Immerkær
Digital Intermediate:
Katrine Sloth
Director:
Marianne Hansen
Director of Photography:
Gry Friis
Editor:
Birger Møller Jensen
First Assistant Camera:
Miroslav Petrović
Neffi Kristensen
Jonas Abrahamsen
Mathias Tegtmeier
Kristoffer Kofod
First Assistant Director:
Stephanie Wiese
Nanna Brüchmann Tornøe
Hairstylist:
Malene Immerkær
Camilla Nordbjerg
Eva Ferré Winkel
Pernille Bellfield
Information Systems Manager:
Charlotte Anastasia Hansen
Lighting Camera:
Carsten Vandrup Jensen
Neffi Kristensen
Kristian Arbs
Holger Peter Karberg
Emil Aagaard
Mathias Klok
Line Producer:
Simone Pirchert
Makeup Artist:
Pernille Bellfield
Eva Ferré Winkel
Malene Immerkær
Camilla Nordbjerg
Producer:
Katrine Brandt
Production Coordinator:
Petronela Nita
Production Design:
Elianna Morningstar
Production Intern:
Tristán Soler Avendaño
Signe Mai Søsted Andersen
Camilla Nordbjerg
Emilie Fabricius Hacke
Production Manager:
Simone Pirchert
Sound Designer:
Thomas Pape
Sound Editor:
Jon Lundby
Thomas Pape
Writer:
Marianne Hansen
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.