A work in constant progress (and occasional regress).
Release Date:
July 27, 2017
Original Title:
The Death and Life of Marsha P. Johnson
Genres:
Documentary
Production Companies:
Faliro House Productions
Ninety Thousand Words
Public Square Films
Race Point Films
Terasem Media & Films
Production Countries:
United States of America
Ratings / Certifications:
IE: 15 PL: 16
Runtime: 105
Describing herself as a 'street queen,' Johnson was a legendary fixture in New York City’s gay ghetto and a tireless voice for LGBT pride since the days of Stonewall, who along with fellow trans icon Sylvia Rivera, founded Street Transvestites Action Revolutionaries (S.T.A.R.), a trans activist group based in the heart of NYC’s Greenwich Village. Her death in 1992 was declared a suicide by the NYPD, but friends never accepted that version of events. Structured as a whodunit, with activist Victoria Cruz cast as detective and audience surrogate, The Death and Life of Marsha P. Johnson celebrates the lasting political legacy of Johnson, while seeking to finally solve the mystery of her unexplained death.
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Associate Producer:
Mark Blane
Andrew Tobias
Director:
David France
Director of Photography:
Tom Bergmann
Adam Uhl
Editor:
Tyler H. Walk
Original Music Composer:
Bryce Dessner
Production Design:
James O'Donnell
Second Unit Director:
Mark Blane
Writer:
David France
Mark Blane
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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.