A work in constant progress (and occasional regress).
Release Date:
December 9, 2015
Original Title:
In the Future, They Ate from the Finest Porcelain
Genres:
Science Fiction
Production Companies:
Spike Film and Video
Production Countries:
Denmark | Qatar | United Kingdom
Ratings / Certifications:
N/A
Runtime: 29
In the Future They Ate From the Finest Porcelain resides in the cross-section between sci-fi, archaeology and politics. Combining live motion, archival images and CGI, the film explores the role of myth for history, fact and national identity.
3D Artist:
Daniel Martinez
Assistant Camera:
Edward Tucker
Assistant Director:
Ruaidhri Ryan
Colorist:
Edoardo Rebecchi
Compositing Artist:
Rasmus Møbius
Construction Manager:
Simon Sparsis
Costume Design:
Line Frank
Director:
Larissa Sansour
Søren Lind
Director of Photography:
Thomas Fryd
Editor:
Daniel Martinez
William Dybeck Sorensen
Jimmy Jib Operator:
Dave Emery
Makeup Artist:
Susana Mota
Matte Painter:
Anders Bierberg Hald
Original Music Composer:
Aida Nadeem
Producer:
Ali Roche
Production Assistant:
Tiago Petrica
Saira Harvey
Production Design:
Simon Godfrey
Rotoscoping Artist:
Oliver Buus
Second Assistant Camera:
Rosie Taylor
Sound Designer:
Luke David Harris
Still Photographer:
Lenka Rayn H.
Storyboard Artist:
Adam Beer
Supervising Sound Editor:
Tom Sedgwick
Visual Effects:
Rasmus Møbius
Visual Effects Supervisor:
Henrik Bach Christensen
Writer:
Søren Lind
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.