A work in constant progress (and occasional regress).
Release Date:
July 22, 2003
Original Title:
Seabiscuit
Alternate Titles:
Pur Sang, la légende de Seabiscuit
Seabiscuit - Alma de Herói
Seabiscuit - Un mito senza tempo
Seabiscuit: Alma de Herói
Vágta
Фаворит
Genres:
Drama | History
Production Companies:
DreamWorks Pictures
Larger Than Life Productions
Spyglass Entertainment
The Kennedy/Marshall Company
Universal Pictures
Production Countries:
United States of America
Ratings / Certifications:
AT: 6 AU: M BR: 12 CZ: U DE: 6 GB: PG GR: 13 IE: 12 NL: 6 US: PG-13
Runtime: 141
True story of the undersized Depression-era racehorse whose victories lifted not only the spirits of the team behind it but also those of their nation.
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Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.
2006 #50 |
100 Years: 100 CHEERS
100 Most Inspiring Films Of All Time |
ADR Editor:
David A. Cohen
Anna MacKenzie
ADR Supervisor:
Chris Jargo
Art Department Coordinator:
Francine Byrne
Circe Mirano
Art Direction:
Andrew Neskoromny
Assistant Costume Designer:
Colleen Kelsall
Lisa Tomczeszyn
Camera Operator:
Ian Fox
Scott Lampert
Michael Stone
Casting:
Terri Taylor
Debra Zane
Costume Design:
Judianna Makovsky
Costume Supervisor:
Margo Baxley
Marcia Patten
Dialogue Editor:
Chris Hogan
Constance A. Kazmer
Kimaree Long
Director:
Gary Ross
Director of Photography:
John Schwartzman
Driver:
Mark W. Jones
Editor:
William Goldenberg
Executive Producer:
Gary Barber
Roger Birnbaum
Robin Bissell
Tobey Maguire
Allison Thomas
First Assistant Director:
Adam Somner
First Assistant Editor:
Jonathan Chibnall
Gaffer:
Justin Holdsworth
David R. Christensen
Hair Department Head:
Carolyn Elias
Hairstylist:
Susan Germaine
Joani Yarbrough
Helicopter Camera:
Kurt E. Soderling
Makeup Artist:
Sian Grigg
Lydia Milars
June Bracken
Makeup Department Head:
Thomas Nellen
Musician:
Jay Cohen
Novel:
Laura Hillenbrand
Original Music Composer:
Randy Newman
Producer:
Gary Ross
Frank Marshall
Jane Sindell
Kathleen Kennedy
Production Design:
Jeannine Oppewall
Production Sound Mixer:
Tod A. Maitland
Property Master:
Steven Melton
Prosthetics:
Gary Archer
Rigging Gaffer:
Frank Dorowsky
Rigging Grip:
Rick Harris
Shane Brott
Screenplay:
Gary Ross
Script Supervisor:
Julie Pitkanen
Second Assistant Director:
Basti Van Der Woude
Second Unit Director:
Dan Bradley
Second Unit Director of Photography:
Mitchell Amundsen
Bill Roe
Set Decoration:
Leslie A. Pope
Set Designer:
Randall D. Wilkins
Sound Effects Editor:
Ezra Dweck
Dino DiMuro
Dan Hegeman
Scott Sanders
Peter Staubli
Bruce Tanis
Christopher Assells
Sound Mixer:
Andy Nelson
Anna Behlmer
Sound Recordist:
Robert Renga
Craig Heath
Special Effects Coordinator:
Michael Lantieri
Special Effects Supervisor:
Tom Pahk
Donald Elliott
Steadicam Operator:
Andrew Rowlands
Still Photographer:
François Duhamel
Stunt Coordinator:
Silvio Wolf Busch
Dan Bradley
Stunts:
Heather Burton
David Leitch
Tad Griffith
Supervising Sound Editor:
Karen Baker Landers
Per Hallberg
Visual Effects Art Director:
Michael Scheffe
Visual Effects Coordinator:
Eric Withee
Visual Effects Editor:
Andrea Maxwell
Visual Effects Producer:
Cari Thomas
Kim Lee
Visual Effects Supervisor:
Richard R. Hoover
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.