A work in constant progress (and occasional regress).
Release Date:
December 21, 1941
Original Title:
Onnellinen ministeri
Alternate Titles:
Ministern är lycklig
Genres:
Comedy | Romance
Production Companies:
Suomen Filmiteollisuus
Production Countries:
Finland
Ratings / Certifications:
FI: S
Runtime: 125
An artist bases a painting for a revealing lingerie ad on a photo of a girl he had found torn from a magazine, not knowing that the girl is in fact the daughter of the Finnish minister of finance. A scandal is about to erupt, and the artist is given 48 hours to find a strikingly similar-looking female model who could serve as his alibi. The minister's daughter decides to fool the artist by pretending to be a lowly girl of the streets, whom the artist then recruits as his "model".
Assistant Camera:
Sulo Tammilehto
Sakari Jurkka
Vittorio Mantovani
Assistant Location Manager:
Eino Salmi
Choreographer:
Alexander Saxelin
Director:
T.J. Särkkä
Director of Photography:
Kalle Peronkoski
Armas Hirvonen
Editor:
Armas Vallasvuo
Grip:
Kauko Andersson
Veikko Laakso
Nils Gustafsson
Aarne Kajonterä
Enok Sikiö
Uuno Andersson
Matti Vinkka
Jarl Malmstén
Hairstylist:
Tuulikki Uskali
Hellä Laiho
Location Manager:
Lauri Kyöstilä
Makeup Artist:
Olavi Suominen
Senja Soitso
Original Music Composer:
George de Godzinsky
Producer:
T.J. Särkkä
Production Design:
Hannu Leminen
Screenplay:
Turo Kartto
Script Supervisor:
Arja Niska
Sound:
Pertti Kuusela
Sound Assistant:
Kurt Vilja
Still Photographer:
A.J. Tenhovaara
Päivi Kosonen
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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.