A work in constant progress (and occasional regress).
Release Date:
February 6, 2017
Original Title:
Vigil, Split
Production Countries:
United States of America
Ratings / Certifications:
N/A
Runtime: 3
A shot-for-shot in-camera recreation of an iPhone movie. Filmed over the course of 1 day from sunup to sundown. Constraint: Each individual shot in the iPhone cut (filmed and edited one month prior) was timed and each location mapped. Because the film was edited sequentially in-camera, physical movement through space was required in mimicking the cuts of the digital version - an unfolding of montage in real environments. The iPhone movie was constructed so as to form a map, the 16mm film is the traversing of the points plotted. Periodic shots of empty skies mark the passage of time through color. The film’s digital counterpart has been deleted.
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Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.