A work in constant progress (and occasional regress).
Featuring:
Lauren Holly, Yuji Okumoto, Nicholas Gyeney
Written by:
Nicholas Gyeney
Directed by:
Nicholas Gyeney
Release Date:
April 28, 2018
Original Title:
Ultra Low
Genres:
Drama
Production Companies:
Mirror Images LTD
Production Countries:
United States of America
Ratings / Certifications:
BR: 14 US: NR
Runtime: 117
A Seattle-based filmmaking team struggles to break down the doors of Hollywood.
The story begins with a filmmaking team that's already sacrificed to make several professional feature films. While having significant indie budgets and films starring name actors, they can't seem to get the attention of the industry elite. Upon learning the news that their latest endeavor will not be accepted into any top tier film festival, the team has hit rock bottom. With heavy hearts, they push each other to pick up and move forward on development of their next feature film, a supernatural thriller called THE RED VISION, in hopes that THIS will be the one that finally turns heads their direction. As development progresses, the team lands actress Lauren Holly, star of films like Dumb and Dumber, Beautiful Girls, and Dragon: The Bruce Lee Story, and her voice shines as a guiding light of wisdom for the young filmmakers as they push forward through the trenches.
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Cinematography:
Sam Lewis
Brent Starheim
Tyler Carlson
Co-Producer:
Brent Starheim
Edward Michael Scott
Jay Somsen
Sean Ferguson
Aaron Viggers
Director:
Nicholas Gyeney
Editor:
Jay Somsen
Executive Producer:
Angela Okumoto
Crisselle Santana
Yuji Okumoto
Music:
Amir Derakh
Anthony Valcic
Ryan Shuck
Producer:
Edi Zanidache
Nicholas Gyeney
Production Assistant:
Chris Ihlenfeldt
Writer:
Nicholas Gyeney
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.