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Yana+Yanko (2017) [N/A]

Release Date:
April 13, 2017

Original Title:
Яна+Янко

Genres:
Comedy | Family

Production Companies:
Magnum Film

Production Countries:
Russia

Ratings / Certifications:
RU: 12+ 

Runtime: 93

He would turn her world upside down!

Overview from TheMovieDB

Yana Titova is a very successful businesswoman, editor-in-chief of a fashion glossy magazine. She considers herself a self-sufficient, accomplished woman and supports "child-free". It doesn't bother Yana at all that at thirty-eight she doesn't have a husband or children. Having achieved popularity, Yana confidently goes forward, not wanting to compromise her own principles. But suddenly, clouds are gathering over Yana's well-being, and in order to strengthen her almost lost position, she agrees to an unthinkable step, deciding to adopt a child. Yana takes her from the orphanage a little gypsy by the name of Yanko. That's just Yana does not even suspect what will turn out for her such a PR move.

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Production

Casting Director:
Aysurat Shamanova

Costume Design:
Nikita Nagibin

Director:
Natalya Merkulova

Director of Photography:
Oleg Kirichenko

Editor:
Rufat Hasanov

Executive Producer:
Andrey Semenov

Makeup Artist:
Kristina Bityutskaya

Music Producer:
Anton Schwarz

Original Music Composer:
Kirill Sharafutdinov
Anton Schwarz
Dmitriy Chizhevskiy

Post Production Producer:
Nonna Aristarkhova

Producer:
Anna Melikyan
Oleg Kirichenko

Production Design:
Ulyana Ryabova

Screenplay:
Alexey Chupov
Natalya Merkulova
Ekaterina Mavromatis

Set Decoration:
Asya Davydova

Sound:
Leonid Dragilev

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Most data and links to images for the Movies section come from TheMovieDB (TMDB).

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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

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  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.